True Lies Critic Reviews

Metascore®:

68 =
Based upon 9 Critic Reviews
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The New York Times | Caryn JamesAdd Critic to Favorites

Much of the appeal of True Lies comes from the smooth grafting of battle-of-the-sexes comedy onto a high-tech action picture.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

One of the best things about True Lies is that it's genuinely funny.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

True Lies is so eager to give you a giddy good time that you're more than happy to let it work you over. It's a likably disposable pop cocktail.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

As the perfectionist creator of bravura set pieces, Cameron is still the leader of the pack. [14 Jul 1994 Pg. F1]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The director, James Cameron, is a master of action (he worked with Schwarzenegger on "Terminator 2"), and when he's doing his thing, no one does it better.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

This mixture of comedy and super-agent spectacle works well at first. But when Schwarzenegger's family and working worlds link up -- an inevitable development -- the plot becomes increasingly ridiculous and overwrought.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Deceptively labeled a domestic epic by writer-director James Cameron, the $100 million movie is, in fact, a weird hybrid of action juggernaut, buddy cop caper and reactionary soft-core pornography.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

Let others recharge that tired Die Hard formula. Cameron invents a new kind of family therapy that saves your marriage and the world. [15 Jul 1994 Pg. 01.D]Read the full review

Variety | Brian LowryAdd Critic to Favorites

Yet even with its ribald laughs and spectacular action sequences (clearly seeking to up the ante on the latter front), the movie gets mired in a comedic midsection that wears the audience down, sapping their energy before the film shifts to a chaotic third act that just doesn't know when to quit.Read the full review

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