Truly, Madly, Deeply Critic Reviews

Metascore®:

72 =
Based upon 8 Critic Reviews
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Rolling Stone | Peter TraversAdd Critic to Favorites

Writer and first-time director Anthony Minghella lays on the whimsy a bit thick at times, but his wryly funny and heartfelt observations on sorrow go down much easier than the Hollywood brand of lump-in-the-throat histrionics.Read the full review

Variety | Justin ChangAdd Critic to Favorites

This sharply scripted study of a bereaved woman who literally wishes her partner back from the grave is an impressive directorial bow by British playwright Anthony Minghella. Despite surface similarities with Ghost pic has a different feel and theme.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

There's enchanting delicacy and irresistible quirkiness in Anthony Minghella's allegory of grief. And humane comedy, too, in this fable about a woman flattened by inconsolable loss, then rejoining the world. [24 May 1991]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Truly, Madly, Deeply, a truly odd film, maddening, occasionally deeply moving.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

In Truly, Madly, Deeply comparisons with "Ghost" are inevitable. But this British production, starring Juliet Stevenson and Alan Rickman, takes a wide berth around the kind of button-pushing found in "Ghost." It presses with lighter fingers.Read the full review

Los Angeles Times | Peter RainerAdd Critic to Favorites

The point of this film seems to be that wholesomeness is a sign of maturity, and it partially cancels out the performers. Juliet Stevenson breaks through anyway. She has a charged core, like Judy Davis, and she makes you root for her passage to happiness. [8 May 1991, p.6]Read the full review

San Francisco Chronicle | Judy StoneAdd Critic to Favorites

This latest visitation from heaven, written and directed by Anthony Minghella, isn't as sappy, slick or saccharine as "Ghost" - thanks largely to the pert performance of Stevenson and the irascible character displayed by Rickman. [24 May 1991, p.E8]Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

Truly, Madly, Deeply should be enchanting, but it isn't. Everyone pushes too hard, especially Mr. Minghella, the writer and director. There are a few amusing lines and a lot of terrible ones, including Nina's overwrought response, early in the film, when her sister wants to borrow Jamie's cello: "It's like asking me to give you his body!"Read the full review

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