Underworld: Evolution Critic Reviews

Metascore®:

44 =
Based upon 10 Critic Reviews
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Variety | Joe LeydonAdd Critic to Favorites

Overall package is potent. A few rock-the-house scenes of slam-bang derring-do -- are nothing short of sensationally exciting.Read the full review

Los Angeles Times | Stephen FarberAdd Critic to Favorites

Wiseman, a former art director and music video director, has a definite sense of style and pace, and the creature transformations are eye-popping. In addition, the cast raises the movie above the level of routine genre schlock.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

They're still fighting in this sequel. But this is a more visually inspired, muscularly made movie than its predecessor.Read the full review

Entertainment Weekly | Gregory KirschlingAdd Critic to Favorites

I especially like how, when Beckinsale's half-wolf, half-vampire friend Scott Speedman moves in for a kiss, you can hear the black leather of her dominatrix getup crinkle and crackle on the soundtrack like an old saddle. Sizzlin'!Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Designed with Underworld fans in mind. Others need not apply.Read the full review

The Onion (A.V. Club) | Tasha RobinsonAdd Critic to Favorites

There's a ton of backstory behind Underworld: Evolution, which gets slightly denser and rowdier than its predecessor, but it's ultimately all in the service of a nigh-endless series of numbing, mechanical battles in which snarling protagonists and CGI monsters shoot, claw, and bloodily eviscerate each other. In other words, it's "Underworld," but more of it.Read the full review

The Hollywood Reporter | Frank ScheckAdd Critic to Favorites

Unfortunately, there's little wit or genuine suspense to elevate the proceedings above the level of a cheesy comic book.Read the full review

The New York Times | Jeannette CatsoulisAdd Critic to Favorites

The fascist undercurrents of this battle remain unexplored. Maybe one day, Hollywood will figure out that pouring acting-challenged starlets into black neoprene and sticking them in front of a blue screen do not a movie make. We can but hope.Read the full review

San Francisco Chronicle | Peter HartlaubAdd Critic to Favorites

Humorless, confusing and not very fun to watch.Read the full review

Slate | Stephen MetcalfAdd Critic to Favorites

Beckinsale is an elegant woman—before she was the Emma Peel of the undead, she was Jane Austen's Emma, and before she was Emma, she was passing A levels in German, French, and Russian literature—and all her stalking and seething keep the movie from being totally unwatchable.Read the full review

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