Valmont Critic Reviews

Metascore®:

60 =
Based upon 7 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The Frears version is cerebral and claustrophobic, an exercise in sexual mindplay.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The film is rapturously beautiful, enticing us into a lush, aristocratic world.Read the full review

Los Angeles Times | Sheila BensonAdd Critic to Favorites

But seductive as his surfaces are, Forman's tack doesn't hold for long. His changes have muted a great tale of betrayal by intelligence and he has blunted the malign inevitability of Laclos' story. [17 Nov 1989]Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Valmont, to my surprise, isn't the best movie of Choderlos de Laclos' novel. Blame overripe material, as well as Forman's benign approach to an essentially nasty yarn. [17 Nov 1989]Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Milos Forman's meticulously produced Valmont is an extremely well-acted period piece that suffers from stately pacing and lack of dramatic high points.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

For every necessary touch that Valmont has reduced or dispensed with (the climactic duel scene, for instance), there is another, less vital moment that has been expanded.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

With its callow cast and playful tone, there is nothing dangerous about Forman's variation on the novelist's schemes.Read the full review

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