Virtuosity Critic Reviews

Metascore®:

46 =
Based upon 10 Critic Reviews
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Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Virtuosity is a sleek, brutal techno-thriller that generates nonstop action, but for at least some of us the fun is spoiled by its numbing body count and murky story line.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

What redeems Virtuosity a little is that even at the end, even in the midst of the action cliches, it still finds surprises in the paradox of a villain that is also a program.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

If all of Virtuosity were as tightly controlled as that, it would exert a greater fascination than it finally does.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Nevertheless, given Washington's presence and the promise of a virtual reality action story, Virtuosity has some appeal -- provided, of course, the viewers aren't selective.Read the full review

Washington Post | Hal HinsonAdd Critic to Favorites

Even with its cyberspace connection, the story comes across as flat and tired, merely a pretext for the filmmakers' occasionally dazzling but ultimately numbing special effects. The world of Virtuosity may be spanking new, but the ideas are yesterday's news.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Whatever reason Denzel Washington may have had for deigning to grace a melodrama as scummy as Virtuosity, the actor has wound up with something that is even worse than 1991's Ricochet in his otherwise creditable filmography. [4 Aug 1995, p.4D]Read the full review

Rolling Stone | Staff (Not Credited)Add Critic to Favorites

Though Virtuosity connects all the dots to give audiences a roller-coaster ride, the movie begets nothing new: It's stillborn.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Washington is wasted here. Kelly Lynch is wooden. Crowe has a ball going over the top, but how much taunting and eyeball popping can a performer do?Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

Virtuosity doesn't really compute, but there's going to be more of its kind of cyberaction, not less. [4 Aug 1995, pg. 51]Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The presence of Washington lends the picture a much-needed dose of authenticity. But in the end Virtuosity is disconnected and uninvolving, despite -- or maybe because of -- a climax that comes in three distinct waves. One section seems to be a half-hour sound-and-light show.Read the full review

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