W. Critic Reviews

Metascore®:

63 =
Based upon 15 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

Why this movie -- a rushed, wildly uneven, tonally jumbled caricature -- and why now?Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

The performances are good (some scarily realistic), and the movie is enjoyable to watch. But as a probing analysis of the 43rd president, it falls short.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Like Tina Fey's Sarah Palin, Stone's George Bush gets his best lines straight from the source.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Superficial, uninformative, and inert, this two hour snoozefest isn't even inflammatory enough to stoke a righteous anti-Bush brushfire. W. does for recent history what Oliver Stone's epic "Alexander" did for ancient times.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

In spite of Josh Brolin's heroic efforts, W. is a skin-deep biopic that revels in its antic shallowness.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

W. is not a dispassionate biography; it is an interpretation of personality intersecting with history, and as a piece of drama it is persuasive and perfectly creditable.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

It's a gutsy movie but not necessarily a good one. Its greatest strength is that it wants to talk about what's on our minds right now and not wait for historians.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The intrepid one is the outstanding Josh Brolin, who does such a phenomenal job in the title role that he carries every scene he's in to a place of subtlety and integrity far beyond what Stone needs to make his attention-grabbing noise.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

The pleasure of Mr. Stone's work has never been located in restraint but in excess, a commitment to extremes that can drown out the world or, as in this film, give it newly vivid, hilarious and horrible form.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

In the end, W. makes up in immediacy what it lacks in objectivity.Read the full review

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