Walking And Talking Critic Reviews

Metascore®:

67 =
Based upon 9 Critic Reviews
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The New York Times | Elvis MitchellAdd Critic to Favorites

Concentrating on the fine-tuned trivia that fuels so much television comedy, it also creates two bright, appealing heroines and watches them face life's little insults with fresh, disarming humor.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

It's a downright refreshing experience to be presented with people you can identify with, recognize yourself in them, without being asked to like them.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

One thing I like about the film is the way it teasingly introduces elements that, in other films, would lead to big dramatic formulas, and then sidesteps them.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

I don't want to damn Holofcener's efforts with faint praise, but the best way to describe Walking and Talking is to say that it's pleasant and charming.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Holofcener has an ear for dialogue, and, as is often the case with the best character- centered films, a chief pleasure is simply enjoying what the participants have to say to one another.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Walking and Talking is saved from utter banality by a script dotted with occasional buoyant moments of tenderness and wit, as well as by the light touch of its attractive cast.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

But when material is this fragile, virtually every scene is obligated to click for the result to become something special. Ultimately, this walking and talking comes perilously close to becoming a gab-fest treadmill. [26 Jul 1996, Pg.04.D]Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Eventually, the impression is created of notes for good scenes full of pungent observations and sharp asides, but without fully developed drama or emotion, leaving a sketchy, wispy feeling when all is said and done.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Writer-director Nicole Holofcener's earnest first feature is a low-budget comedy drawn from the pages of her own dear diary. Most women have sense enough to burn theirs.Read the full review

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