We Don't Live Here Anymore Critic Reviews

Metascore®:

73 =
Based upon 15 Critic Reviews
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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The film is at times harrowing to watch, yet it's also wry and delicate and absorbing. It's infused with the messy excitement of imperfect passion.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

A revelation. One rarely sees American-made movies that are so unafraid to explore emotional cruelty and portray the consequences without positing easy answers or attaching happy endings.Read the full review

The Hollywood Reporter | Duane ByrgeAdd Critic to Favorites

Director John Curran has masterfully managed to convey flesh and blood within the permutations of the sometimes clinical story. Enhancing the people-next-door nature of this saga were the film's smart technical contributions.Read the full review

Wall Street Journal | Jim FusilliAdd Critic to Favorites

Set ablaze by a startling performance by Laura Dern, it's a stark, often disturbing look at the ramifications of betrayal.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Compassionate though it is, this is not a movie that offers much in the way of solace. It insists that there is no end to human weakness, and not much cure for it either. That's pretty strong stuff.Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

The movie may leave its audience feeling a little battered (some might say betrayed) as well. Still, the film's honesty, along with its refusal to pander to Hollywood happy endings, is well worth the beating.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A movie for adults, of a kind that usually isn't made in America,Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The film, sometimes talky and overemphatic, is also literate, erotic, brutally funny and touched by brilliance in its quartet of live-wire performances.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

In Curran's hands, what might have seemed like a "Who's Afraid Of Virginia Woolf?" redux gets cut into avant-garde pieces, with experimental inserts, sound effects, and wrinkles in time that add to an uneasy mood.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Tony literary material, a fine cast and intelligent script and direction.Read the full review

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