We Own the Night Critic Reviews

The movie's climactic car chase is as absurdly thrilling as it is innovative. Set almost silently in a blue-gray daytime downpour, it has a tough, improvisatory danger that makes the movie. If John Coltrane went in for action sequences, he'd have dug this one.Read the full review

This is an atmospheric, intense film, well acted, and when it's working it has a real urgency.Read the full review

The story is too patterned and too contrived.Read the full review

It's a bare-knuckled crime drama set in 1988 that stylistically could have been made that year and emphasizes Gray's strengths as a director while drawing attention to his limitations as a writer.Read the full review

With a cast like this, one has a right to expect something amazing, so the fact that We Own the Night is merely "entertaining" might cause disappointment in some quarters.Read the full review

We Own the Night is defiantly, refreshingly unhip.Read the full review

Things are a little off. The style is gritty 1970s-style crime thriller, but the morals are straight out of 2007, and the movie is set in 1988.Read the full review

A more accomplished film than "Yards." Yet it will fail to satisfy police movie buffs, as procedures are de-emphasized, and the drama is too perfunctory and obvious.Read the full review

The problem with We Own the Night is that it mistakes sentiment for profundity, and takes its ideas about character and fate more seriously than it takes its characters and their particular fates. “I feel light as a feather,” Bobby says in a crucial scene, at which point the movie starts to sink like a stone.Read the full review