We Were Soldiers Critic Reviews

Metascore®:

76 =
Based upon 15 Critic Reviews
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San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

One of the best war movies of the past 20 years.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

"Black Hawk Down" was criticized because the characters seemed hard to tell apart. We Were Soldiers doesn't have that problem; in the Hollywood tradition it identifies a few key players, casts them with stars, and follows their stories.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

The in-your-face style of We Were Soldiers results in a suspenseful, intense, and exhausting cinematic experience.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Like the best war movies -- and like martial literature going back to the Iliad -- it balances the dreadful, unassuageable cruelty of warfare and the valor and decency of those who fight.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Gibson may get top billing, but it's Sam Elliott who steals all the scenes. As Sgt. Maj. Basil Plumley, a man who fires with his own .45 revolver rather than the standard M-16 rifles, he's full of hilariously colorful comments.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

You don't really watch the film; you survive it.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

It isn't afraid to genuflect to heroes and heroism and has everything it needs to connect with the resurgence of patriotism after Sept. 11.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

This also is the rare combat movie that deals substantially with mourning widows on the home front.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The writer-director bestows honor -- generously, apolitically -- not only on the dead and still living American veterans who fought in Ia Drang, but also on their families, on their Vietnamese adversaries, and on the families of their adversaries too.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Manages to evoke a complex series of reactions. It both frustrates with its unrelenting sentimentality and impresses with the overwhelming physicality of its combat sequences. These in turn are so powerful they take on a life of their own, sending a message that is probably quite opposite to the one the filmmakers intended.Read the full review

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