What We Do Is Secret Critic Reviews

Metascore®:

64 =
Based upon 9 Critic Reviews
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Variety | Phil GalloAdd Critic to Favorites

Actor Shane West and writer-director Rodger Grossman have a clear, unwavering perspective on Crash that should entice curiosity seekers and old punks.Read the full review

San Francisco Chronicle | David WiegandAdd Critic to Favorites

Grossman does a workmanlike job with the film, but his direction and script don't really offer any great insight into Darby's tortured soul.Read the full review

The Hollywood Reporter | Chris MorrisAdd Critic to Favorites

Ex-Germs infect biopic with punk authenticityRead the full review

Los Angeles Times | Michael OrdonaAdd Critic to Favorites

Grossman bangs out a visceral, energized biopic that captures the vibrant idiocy of punked-out youth and a tortured soul gaining his wish of cult status.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

One for the fans, even though writer-director Rodger Grossman and co-writer Michelle Baer Ghaffari labor mightily to spin it into something larger.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

What's lacking is a feeling for the heat and deafening chaos of actual club shows. The movie hangs back a little, folds its arms and nods its head, rather than rushing the stage or diving into the mosh pit. The tumult is depicted, not captured.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

The movie is exciting at times, moving at times, and watchable throughout, but fans of The Germs and L.A. punk may start to pine for what's missing around the time Michele Hicks shows up.Read the full review

Washington Post | Philip KennicottAdd Critic to Favorites

You are left with the feeling that either Grossman hasn't done justice to the Germs or the justice they deserved was to spend eternity as a historical footnote.Read the full review

The New York Times | Jeannette CatsoulisAdd Critic to Favorites

The movie offers too little of Crash's justly revered lyricism and too much of his self-mutilation and manufactured chaos.Read the full review

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