Whatever Works Critic Reviews

Metascore®:

49 =
Based upon 15 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Yellnikoff, played with perfect pitch by Larry David.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It's a slight-but-enjoyable effort, and it features something a little on the surprising side: an optimistic ending.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Though Clarkson acquits herself reasonably well in a terribly conceived role, her entrance interrupts David’s hilariously twisted mentorship of Wood and sends the movie careening in a far less promising direction.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Whatever Works feels like something out of time and, worse, out of step. Hell, Allen wrote the script back in the 1970s for Zero Mostel.Read the full review

The Hollywood Reporter | Frank ScheckAdd Critic to Favorites

Features enough genuine laughs to give it decent commercial traction.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Whatever Works is very minor Woody, querulous, fitfully funny, and removed from any shared reality.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Woody, please: Go back to the European locales that so energized you of late.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

The result is Allen's weakest film in years.Read the full review

Variety | Ronnie ScheibAdd Critic to Favorites

This far-fetched, deliberately artificial game of musical chairs -- in which mismatched characters encircle, attract and repel each other -- feels forced, often losing itself in excess verbiage.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The fact that Allen wrote the script in the '70s explains something about why his newest movie feels so old.Read the full review

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