Whip It Critic Reviews
Metascore®:
Based upon 13 Critic ReviewsHighest Rated
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An unreasonably entertaining movie, causing you perhaps to revise your notions about women's Roller Derby, assuming you have any.Read the full review
Laced with good-natured hipster kitsch and endearingly goofy girl power, director Drew Barrymore's roller-derby dramedy, Whip It, is a gas.Read the full review
What makes Whip It a blast is the action in the rink. What gives Whip It heart is the pathos, pain and mettle-testing elements that accompany any serious athletic competition. It doesn't hurt that its diminutive star is surprisingly athletic and agile on the track.Read the full review
Clicks on so many levels -- heartwarming family story, rough-and-tumble display of grrrl power and a secondary but tender and convincing romance.Read the full review
For all the hip checks and bloody noses, it doesn't have a mean bone in its body.Read the full review
Most crucially, Barrymore encourages Page to just let herself go. The sight of her making her way up residential streets in a pair of Barbie roller skates or screaming “Marco’’ in a game of Marco Polo is simply joyful.Read the full review
You might, nonetheless, want to see this movie, even -- or maybe especially -- if you have seen “Billy Elliot” or “Bend It Like Beckham.” Familiarity is not always a bad thing, and if the script, by Shauna Cross, piles sports movie and coming-of-age touchstones into a veritable cairn of clichés, the cast shows enough agility and conviction to make them seem almost fresh.Read the full review
Arriving on the nastier heels of the horror comedy "Jennifer's Body," Whip It plays like that movie's more wholesome twin, delivering the same jolt of anarchic guerrilla-girl empowerment, only with a far less threatening disposition.Read the full review
At moments, especially in the conflicted intimacy between Marcia Gay Harden and Daniel Stern as Bliss' parents, Barrymore shows real directing chops. But in Whip It she's painting inside the box.Read the full review
It’s virtually impossible to hate the film, but Barrymore’s presence behind the camera suggests more calculation than vision; like a lot of actors who direct, she tends to the performances, but her style never rises above bland proficiency.Read the full review