White Oleander Critic Reviews

Metascore®:

60 =
Based upon 14 Critic Reviews
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The New York Times | Stephen HoldenAdd Critic to Favorites

The accumulation of sharp candid flashes adds up to a disturbing vision of Los Angeles as a teeming jungle of dysfunction.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

Never rising above routine episodic storytelling, White Oleander nonetheless retains something of its source novel's ravaged emotional surface and cool, observant manner.Read the full review

Washington Post | Stephen HunterAdd Critic to Favorites

A lot of White Oleander is heavy sledding of the waa-waa, touchy-feely kind. But just as much of it has the sting of something so real it hurts.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Considering the star power -- and talent -- of the cast around her, it would have been impressive if Alison Lohman had simply held her own as Astrid, the young heroine of White Oleander. Instead, she owns the movie.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Impressively unflappable and natural, 23-year-old Lohman -- whose best known credit is perhaps a role on Fox's short-lived ''Pasadena'' -- holds the whole plot together skillfully.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The story is determined to be colorful and melodramatic, like a soap opera where the characters suffer in ways that look intriguing.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It's not edgy or groundbreaking, but it tells the story it sets out to tell. For what it is, Kosminsky's picture is polished and effective. If only the movie had taken more risks or possessed a keener edge...Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

White Oleander goes through the paces with a little more dignity than usual, which is a mark of either director Peter Kosminsky's refusal to overplay the melodrama, or his inability to wring it for all it's worth.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

This is a film without a center, a film whose young protagonist should have more texture, more of a compelling voice than she does. Through no real fault of the acting, young Astrid does not compel our attention the way she must if White Oleander is to succeed completely on the screen.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

The people who've made White Oleander appear to have spent a lot of time worrying about the audience. They should have told the story and let us take care of ourselves.Read the full review

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