White Oleander Critic Reviews

Metascore®:

60 =
Based upon 14 Critic Reviews
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Boston Globe | Ty BurrAdd Critic to Favorites

The people who've made White Oleander appear to have spent a lot of time worrying about the audience. They should have told the story and let us take care of ourselves.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The story is determined to be colorful and melodramatic, like a soap opera where the characters suffer in ways that look intriguing.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Impressively unflappable and natural, 23-year-old Lohman -- whose best known credit is perhaps a role on Fox's short-lived ''Pasadena'' -- holds the whole plot together skillfully.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

This is a film without a center, a film whose young protagonist should have more texture, more of a compelling voice than she does. Through no real fault of the acting, young Astrid does not compel our attention the way she must if White Oleander is to succeed completely on the screen.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It's not edgy or groundbreaking, but it tells the story it sets out to tell. For what it is, Kosminsky's picture is polished and effective. If only the movie had taken more risks or possessed a keener edge...Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The estrogen overload damn near did me in.Read the full review

San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

Lacks emotional power.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

The accumulation of sharp candid flashes adds up to a disturbing vision of Los Angeles as a teeming jungle of dysfunction.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

White Oleander goes through the paces with a little more dignity than usual, which is a mark of either director Peter Kosminsky's refusal to overplay the melodrama, or his inability to wring it for all it's worth.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

Wilts under a weak, formulaic story.Read the full review

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