Wild At Heart Critic Reviews
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Based upon 9 Critic ReviewsHighest Rated
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Starting with the outrageous and building from there, he ignites a slight love-on-the-run novel, creating a bonfire of a movie that confirms his reputation as the most exciting and innovative filmmaker of his generation.Read the full review
Joltingly violent, wickedly funny and rivetingly erotic, David Lynch's Wild at Heart [based on the novel by Barry Gifford] is a rollercoaster ride to redemption through an American gothic heart of darkness.Read the full review
The drawback to Lynch's pile-it-on method is that it is reductive. One reason Wild at Heart, for all its amazements, isn't quite as stunning as "Blue Velvet" is because it seems less the working out of a single fixed obsession than an entire smear of obsessions. [12 Aug 1990, Calendar, p.29]Read the full review
There is something repulsive and manipulative about it, and even its best scenes have the flavor of a kid in the school yard, trying to show you pictures you don't feel like looking at.Read the full review
The movie's initial intensity is so great, it consumes itself. By the time we reach the final scene, which is clearly supposed to exude glorious rapture between offbeat lovers Nicolas Cage and Laura Dern, it has all the warming effect of cold ash.Read the full review
A lurid hodgepodge of the ''subversive'' and the secondhand, the movie lacks the primal pop pleasures of Lynch's best work.Read the full review
This time, though, Mr. Lynch's conceits are less often pleasurably disorienting than out of focus.Read the full review
One of the most violent opening scenes in screen history Yet given such a visually adept exercise, the rest seems transparently off-the-cuff. There are obese trailer-camp porn stars, heavenly visions, a climactic rendition of Love Me Tender and no-point references to The Wizard of Oz - all of which top this two-hour farrago like a soggy tarp. [17 Aug 1990, Life, 4D]Read the full review
What "Wild at Heart" feels like is a kind of housecleaning -- a disjointed collection of images and odd snatches of ideas that the director couldn't make room for anyplace else. They have no context, and as a result, no power to thrill or disturb.Read the full review