William Shakespeare's Romeo + Juliet Critic Reviews

Sorted by:
Rolling Stone | Peter TraversAdd Critic to Favorites

Amid the clamor from outraged purists and Shakespeare spinning in his Stratford-on-Avon, England, grave, you should notice that Luhrmann and his two bright angels have shaken up a 400-year-old play without losing its touching, poetic innocence.Read the full review

Slate | Alex RossAdd Critic to Favorites

It may be the most visually imaginative Shakespeare film since Akira Kurosawa's "Ran", and certainly one of the more operatic Hollywood creations of recent years.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Despite implied fidelity, we might as well be watching William Shakespeare's The Cable Guy. Yet the film's skewed stylistic flourishes capture enough of the original's spirit to provoke more respect than rejection. [01Nov1996, Pg. 01.D]Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

For all the hubbub, the film succeeds in relating Shakespeare to modern times, thanks mainly to the use of energetic pop music and the gameness of the performers.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

While such a loud, brash interpretation may not go down in cinematic history as the definitive version of the play, hopefully it will open a few eyes and widen the audience willing to venture into any movie bearing the credit "based on the play by William Shakespeare."Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

For all of its departures, Luhrmann's largely successful reinterpretation is far from irreverent. He takes liberties with the world, but never the words of this achingly beautiful love story.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Juiced to the max and drenched in style, this "Romeo," mad about its image-a-minute visual agenda, is sure to infuriate as much as it delights. But the film can't be bothered to slow down for your reaction, and it never forgets its duty to be alive on the screen. [1 Nov 1996, pg.F1]Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

Mr. Luhrmann's frenetic hodgepodge actually amounts to a witty and sometimes successful experiment, an attempt to reinvent "Romeo and Juliet" in the hyperkinetic vocabulary of post-modern kitsch. This is headache Shakespeare, but there's method to its madness.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Romeo & Juliet is a series of spectacular production designs posing as a motion picture.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

I have never seen anything remotely approaching the mess that the new punk version of "Romeo & Juliet" makes of Shakespeare's tragedy.Read the full review

Track Your Favorite Critics | Start Now