The Road to Guantanamo is certainly remarkable for its relevancy to the ongoing controversy of the Guantanamo Bay detainment camps, but it is a notable film for other reasons besides its timeliness and availability to political exploitation. Directed by Michael Winterbottom and Mat Whitecross, it is the former's most effective film (and the latter's first) in that it masterfully displays a grasp of cinema's capacities. While I disagree with most of what critics (including our own Karina) are saying of its cultural significance, I do agree with and insist on the recommendation that it be seen.
I think that it needs to be appreciated foremost as an astonishing tale of survival, a kind of modern Odyssey with a touch of the old mistaken-identity scenario, presented in a pointedly discriminating first-person narrative. Though based on a true story, the film maintains a one-sided fallibility that keeps it fairly subjective. Sure, it could be used in the campaign against the camps, but not as evidence. It is simply a visual testimony.