They had faces back then, certainly. More importantly they had titles. You could tell a Hammer film came from the land of Churchill just from their strong titles, fit for a debating society, really: "Resolved: Frankenstein Must Be Destroyed." As it happens, the Shock It To Me! fest in San Francisco at the Castro Theater October 5-7 is showing both Frankenstein Must Be Destroyed (1969) and Dracula Has Risen From the Grave (1968) with Hammer star Veronica Carlson flying in for a visit. They've also got three by the great Joe Dante (Matinee, The Howling, and the very witty Gremlins 2).
Bay Area horror movie luminary John Stanley will be visiting, and they'll be reviving the best movie made in Santa Cruz ever--and don't tell me about no Lost Boys!--Killer Klowns from Outer Space. Let us focus, though, on Hammer's third Dracula movie (not counting its 1960 The Brides of Dracula, which Dracula doesn't even bother to show up for). For the the third time, the tall and remote Christopher Lee fills the opera cape, in a horror adventure that deals with the rage of the Count; you could argue that Lee was one of the last people to take Dracula seriously.