If Seven Days Sunday were an American film, it would probably be some sort of push-button "after school special" affair, one that underlines all its main points and closes with a predictably simplistic message: Violence is bad. But Seven Days Sunday is instead a small German film that aims to dramatize an actual event -- and it's pretty impressive how the filmmakers never once stop to "explain" anything away. Sometimes bad people do bad things, and generally all we can do is analyze the aftermath and hope to prevent future horrors. Period.
Adam and Tommek are a pair of aimless teenagers who spend their days mired in one of Germany's more uncomfortable blue-collar neighborhoods. Although he's supposed to be some sort of altar boy, Adam is much more interested in trying to impress tough-guy Tommek. There's a cute blonde neighborhood girl who certainly seems to hold a torch for Adam, but the two boys are too busy stealing wine and robbing the locals to pay much attention to mundane things like puppy love. (Tommek definitely wants a piece of the blonde for himself, but she seems more than a little turned off by his "extreme" ways -- at the beginning, anyway.)