The gimmick of The Women is that no men appear anywhere in it -- not as background extras, not as voices on the phone, nowhere. It's all women, all the time. Which might sound empowering and feminist, except that the women are all shallow, vain, and petty, and their primary topic of conversation is, you guessed it, men. (Also: shoes, manicures, shopping, facelifts, etc.) If this were any other film, I suspect women would be complaining about Hollywood's sexism and misogyny. But hey, we men had nothing to do with this one. This one is all you.
Written and directed by Murphy Brown creator Diane English as an update of the 1939 George Cukor comedy (itself based on a Clare Boothe Luce play), the film establishes its tone in its first scene, with two women walking their dogs in New York City. The dogs fight, and the women, their faces invisible to us, respond cattily to one another. One remarks that the other's shoes are "last season," then confides to her dog that the other woman is "a word not usually heard outside a kennel." I think that's supposed to be a joke, but if the word she's referring to is "bitch," then I've got news for her about how its usage has spread.
And that's the movie: women harping on and mistreating one another, and cracking jokes that aren't funny.