Indie Roundup

Let's start this week's Indie Roundup by noting Eugene Novikov's fine article on seven indies that deserve a little love in the next few months. Beyond his picks, my indie summer begins with Jim Jarmusch's The Limits of Control. Jarmusch is an idiosyncratic director who continues to riff on some of the same themes that have occupied his subtle, haunting, and beautiful films since the 1980s. His latest, photographed by Christopher Doyle, follows a mysterious loner (Isaach De Bankolé) who journeys across Spain. It opens in New York and Los Angeles on Friday before expanding in the following weeks.

Deals. Zheng Wei's drama Fish Eyes, which is screening this week at the Tribeca Film Festival, has been picked up by Benten/Watchmaker Films. Shot on a tiny budget with non-professional actors, and set during the period between the Sichuan earthquake and the 2008 Olympics in Beijing, the film revolves around a father, his son, and a mysterious woman who enters their lives. Fish Eyes is the debut of director Zheng, and also represents the debut plunge into theatrical waters for Benten. The company acquired all North American, UK, and European rights for the film.

Box Office. Playing on one screen, Nursery University resided at the top of the indie charts last weekend, according to Box Office Mojo, grossing $11,307. Directed by Marc H. Simon and Matthew Makar, the documentary aims to provide "a good-humored look at the oddly competitive environment of nursery school admissions," where the annual tuition is upwards of $20,000. James Toback's doc Tyson opened on seven screens and enjoyed decent returns (7,731 per-screen average), with Paolo Sorrentino's biopic Il Divo close behind ($6,934 each at two screens).

After the jump: LAAPFF!