As the festival enters its final weekend, things have grown quieter. That doesn't mean Friday lacked excitement, though. Undoubtedly, the big title of the day was Terry Gilliam's The Imaginarium of Dr. Parnassus, featuring Heath Ledger's final performance. Erik Davis rounded up the first reactions. The director and Verne Troyer (AKA "Mini Me") appeared in support of the film.
Another eagerly-awaited title also debuted: Gasper Noé's Enter the Void. Of course, the interest in Imaginarium has more to do with the stars (Johnny Depp, Colin Farrell, and Jude Law stepped in to finish the film after Ledger's untimely passing). Void, on the other hand, created anticipation because it is Noé's first feature-length work since his Irreversible generated considerable controversy at Cannes seven years ago.
Via David Hudson at IFC's The Daily, we learn that Enter the Void has already been compared to the Wachowskis' Speed Racer and Stanley Kubrick's 2001: A Space Odyssey and The Shining (by Daniel Kasman in The Auteurs' Notebook). Manohla Dargis of the New York Times also notes the borrowings from Kubrick, while describing it as an "exceptional work [by] an artist who's trying to show us something we haven't seen before." Eugene Hernandez of indieWIRE called it "an endurance test [that] stirred both boos and bravos."
Other Key Screenings. Competition: Elia Sileiman's The Time That Remains. Un Certain Regard: João Pedro Rodrigues' To Die Like a Man, Jean Van de Velde's The Silent Army. Directors' Fortnight: Scandar Copti and Yaron Shani's Ajami, Mikhael Hers' Montparnasse. Special Screenings: Fanny Ardent's Ashes and Blood.
Awards. Xavier Dolan's Canadian film I Killed Your Mother won three of the four prizes awarded by Directors' Fortnight, reports indieWIRE, beating out higher-profile US titles Tetro, I Love You Philip Morris, and Humpday. The complete list can be viewed at indieWIRE.