Like the rest of the entries in Quentin Tarantino's eclectic filmography, Inglourious Basterds is a pastiche of different influences combined in some kind of cinematic bouillebaise, and somehow made original in that unholy union. Appropriately, the film also came together in disparate parts over several years, which is why Basterds is as much a deconstruction of genre conventions as it is a rousing tale right out of the same war-torn landscape as classics past and present. According to Tarantino, however, making the film wasn't merely an assembly of ideas, but a bit of movie mountain-climbing that was essential for him to see what's on the other side.

Cinematical recently sat down with Tarantino for a roundtable interview at the film's press day, where he discussed the process of giving birth to Basterds. In addition to discussing the general dynamics of his creative process, Tarantino talked about what war movie moments he did and didn't want in the film, and examined the way in which even doing interviews allows him to look at his own work differently. Cinematical's questions are noted.

Was this movie worth the wait for you, taking the time over so many years to develop it into what it became?