Read Part One of this interview right here

When Judd Apatow's latest film, Funny People, was announced, many critics and audiences hailed it – even before they saw it – not only as an evolution of the filmmaker's style, but a return to the kind of drama-laced comedy that flourished in the 1980s and early '90s thanks to folks like Cameron Crowe and James L. Brooks. When it was released, the film more than satisfied those expectations, offering an unflinching but frequently hilarious portrait of an A-list comedian rediscovering himself, but there seemed to be a sense that audiences knew themselves less well than they felt like they knew the film's main character, resulting in a less enthusiastic response than perhaps even they expected.

The film arrives on Blu-ray this week, offering what is indisputably the most complete and comprehensive look behind the scenes at a comedy ever produced, and offers audiences a second chance to check out Apatow's most meaningful and resonant work to date. Cinematical got a chance to catch up with the writer-director via telephone to discuss the contents of the expansive, 2-Disc Collector's Edition; in the second part of our chat, Apatow talks about precisely what made the movie so personal for him, and offers a few insights about its place in his growing body of work, and its potential influence on his future films (including a Harry Potter movie, maybe?).

Cinematical: With or without talking to you at the time of the film's release, people seemed to assume that this was a very personal film, I think because it was more serious than your previous work. Was it really personal, and if so in what way or why?