Now that we're in the middle of the awards season, it's time to look back and praise the performances the world forgot -- and perhaps even complain that they did so. Everyone's going to be doing it. Variety's Timothy Gray did today, noting that he thought Paul Rudd and Gerard Butler turned in fine performances inI Love You, Man and Law Abiding Citizen, respectively. As he wisely puts it, "There are three types of good pics: awards front-runners, dark horses and the terrific work that, for whatever reason, does not seem to be considered a contender ... This isn't one of those 'what's wrong with the awards voters!' screeds. There are enough of those at this time of year, and they're almost always silly. (The subtext is usually 'Those voters are idiots because they didn't pick my favorites.') The point is that awards recognize terrific work, but they can't be expected to honor all terrific work." I don't want to launch into one of the aforementioned screeds, but two of my favorite performances of 2009 have completely fallen off the radar. I thought I'd praise them now, complain a little bit, and then open the floor to you.
The first on my list is Viggo Mortensen in The Road. For whatever reason, The Weinstein Company thought they could only champion one film this awards season, and it was Nine. The Road fell by the wayside. (Pun not intended.) Critical consensus seems to be divided on the film itself, and your opinion may vary, but I thought the film was bleakly brilliant. I thought Mortensen was outstanding -- haunting, starved, and desperate. It was all there. If anyone was able to actually watch him put a gun up to his own son's head and not shiver at the look behind his eyes, I'd be surprised. It was equal to anything Jeremy Renner did in The Hurt Locker, or any of George Clooney's frowns inUp in the Air. My personal opinion was that it surpassed it, but that's just my take.