There's a bit of a stir sweeping across these internets today after the New York Times published a story that wags its uptight little finger at the studios and online outlets who promote red-band trailers and all the glorified foul-mouthedness that comes along with them. They cite the latest red-bandKick-Ass trailer as being an example of the sort of trash Hollywood is pushing to an audience that, realistically, can find a way around their so-called "age gates" faster than it takes the11-year-old Hit Girl to blast the word c*nt out in glorious HD.
While online outlets insist that they're playing by the rules set up by the MPAA by installing "age gates" in front of their trailers, it's not hard to notice that some are easier to bypass than others. And even if you can't get in, there's a good chance the trailer will show up on some social-networking site within an hour of its launch. Fact is -- and the Times is right about this -- these red-band trailers gain more momentum because of their R-rated nature, and because kids don't get to see that sort of stuff from regular green-band trailers. But sites like Film Drunk (who, admittedly, are the red-band version of a movie blog) claim bulls**t, noting (in one of their true-to-form rants), "God forbid an ad for a movie actually show you what's in the actual movie."
Personally, I think it's about time we stop pretending our teenagers are idiots who wouldn't at all be exposed to this sort of stuff if it weren't for easy-to-access red-band trailers. Watching one episode of MTV's 16 and Pregnant should make you aware that there are much bigger problems that await parents, and that hearing Tracy Morgan yell the word f*ck in a red-band Cop Out trailer should be the least of their concerns.