Criterion Corner is a Cinematical column dedicated to the wonderful world of the Criterion Collection, running twice at the end of each month -- once for new reviews and once for Criterion commentary.
I couldn't contrive a way to effectively combine the Criterion Collection with my rabid contempt for all things Zack Snyder. Believe me, I tried. With no other topical points of interest, I realized that it's a perfect time for me to go on the record about my favorite Criterion cover art.
Not to sound dramatic, but so far as difficult decisions go, this process is going to make 'Sophie's Choice' look like 'Executive Decision.' You see, Criterion covers are why we're all here in the first place (whether I mean "we" as readers of Cinematical or "we" as a civilization is up to you). It was my abiding love for these sublime and deeply considered examples of mass-produced graphic design that spawned this column.
Criterion Corner is a direct extension of a piece I published last August about the glorious community of fake Criterion covers, in which I wrote that "Criterion's [artwork] can make even the most digitally-oriented among us once again fetishize physical media... most DVDs and Blu-rays are packaged to be purchased, Criterion's are packaged to be treasured." It's the immaculately curated and restored roster of films that's made Criterion so instrumental to my relationship with cinema, but it's the art with which those films have been adorned that has so maniacally spurred me to collect them all.