Sony Picture Classics



The top prize at this year’s Cannes Film Festival went, by unanimous decision, to South Korean director Bong Joon-ho for his politically charged "Parasite," about a lower-class family who try to infiltrate a rich household.

It's the first Korean film to win the coveted Palme d’Or.

Meanwhile, 25 years after collecting the Palme d’Or for "Pulp Fiction," Quentin Tarantino's "Once Upon a Time in... Hollywood" went home empty-handed. Apart from winning the Palm Dog award for the pit bull who plays Brad Pitt’s dog in the film.

Best Actress went to Emily Beecham for Jessica Hausner’s sci-fi thriller "Little Joe." She plays a scientist whose genetic modification experiment goes awry.

Antonio Banderas was awarded Best Actor for his performance in Pedro Almodóvar’s semi-autobiographical "Pain and Glory." Dedicating the award to Almodóvar — with whom he’s worked since the ‘80s — Banderas said, "People think we live in a red carpet, but it’s not true. We suffer a lot, we sacrifice, and there is a lot of pain behind an actor of any kind. But there is also glory, and this is my night of glory,” before promising, "The best is still to come."



Terrence Malick also picked up a prize for his latest film, "Hidden Life," as did "The Witch" director Robert Eggers for his arthouse thriller "The Lighthouse."

Mati Diop, the first black female filmmaker in competition at Cannes, earned the Grand Prix for her debut feature, "Atlantics."

The jury for this year’s festival was headed up by director Alejandro Iñárritu:  Also on the panel: French author-artist-director Enki Bilal, French director Robin Campillo, Senegalese actress-director Maimouna N’Diaye, American actress Elle Fanning, Greek director Yorgos Lanthimos, Polish director Paweł Pawlikowski, American director Kelly Reichardt, and Italian director Alice Rohrwacher.

COMPETITION
Palme d’Or: “Parasite,” Bong Joon-ho
Grand Prix: “Atlantics,” Mati Diop
Director: Jean-Pierre and Luc Dardenne, “Young Ahmed”
Actor: Antonio Banderas, “Pain and Glory”
Actress: Emily Beecham, “Little Joe”
Jury Prize — TIE: “Les Misérables,” Ladj Ly; “Bacurau,” Kleber Mendonça Filho and Juliano Dornelles
Screenplay: Céline Sciamma, “Portrait of a Lady on Fire”
Special Mention: “It Must Be Heaven,” Elia Suleiman

OTHER PRIZES
Camera d’Or: “Our Mothers,” Cesar Diaz
Short Films Palme d’Or: “The Distance Between the Sky and Us,” Vasilis Kekatos
Short Films Special Mention: “Monster God,” Agustina San Martin
Golden Eye Documentary Prize: “For Sama”
Ecumenical Jury Prize: “Hidden Life,” Terrence Malick
Queer Palm: “Portrait of a Lady on Fire,”  Céline Sciamma

UN CERTAIN REGARD
Un Certain Regard Award: “The Invisible Life of Eurídice Gusmão,” Karim Aïnouz
Jury Prize: “Fire Will Come,” Oliver Laxe
Best Director: Kantemir Balagov, “Beanpole”
Best Performance: Chiara Mastroianni, “On a Magical Night”
Special Jury Prize: Albert Serra, "Liberté"
Special Jury Mention: "Joan of Arc,” Bruno Dumont
Coup de Coeur Award: “A Brother’s Love,” Monia Chokri; “The Climb,” Michael Angelo Covino

DIRECTORS’ FORTNIGHT
Society of Dramatic Authors and Composers Prize: “An Easy Girl,” Rebecca Zlotowski
Europa Cinemas Label: “Alice and the Mayor,” Nicolas Parisier
Illy Short Film Award: “Stay Awake, Be Ready,” An Pham Thien

CRITICS’ WEEK
Nespresso Grand Prize: “I Lost My Body,” Jérémy Clapin
Society of Dramatic Authors and Composers Prize: César Díaz, “Our Mothers”
GAN Foundation Award for Distribution: The Jokers Films, French distributor for “Vivarium” by Lorcan Finnegan
Louis Roederer Foundation Rising Star Award: Ingvar E. Sigurðsson, “A White, White Day"
Leitz Cine Discovery Prize for Short Film: “She Runs,” Qiu Yang
Canal Plus Award for Short Film: “Ikki Illa Meint,” Andrias Høgenni

FIPRESCI
Competition: “It Must Be Heaven” (Elia Suleiman)
Un Certain Regard: “Beanpole” (Kantemir Balagov)
Directors’ Fortnight/Critics’ Week: “The Lighthouse” (Robert Eggers)

CINÉFONDATION
First Prize: “Mano a Mano,” Louise Courvoisier
Second Prize: “Hiéu,” Richard Van
Third Prize — TIE: “Ambience,” Wisam Al Jafari; “Duszyczka” (The Little Soul), Barbara Rupik

[Via Variety]