At its best, Fahrenheit 9/11 is an impressionist burlesque of contemporary American politics that culminates in a somber lament for lives lost in Iraq. But the good stuff -- and there's some extremely good stuff -- keeps getting tainted by Mr. Moore's poison-camera penchant for drawing dark inferences from dubious evidence.
Moore stays "on message" here from first shot to last. There is no debate, no analysis of facts or search for historical context. Moore simply wants to blame one man and his family for the situation in Iraq the United States now finds itself in…So the real question is not how good a film is Fahrenheit 9/11 -- it is undoubtedly Moore's weakest -- but will a film help to get a president fired? show more
As a character assassin, Moore fails, because you can't kill anyone with contempt and sarcasm. And as an independent counsel prosecuting Bush for bamboozling America, Moore likewise misses his mark because many of the exhibits he offers as evidence are emotional rather than factual. show more