I don't think that a woman behind the camera necessarily affects the tenor of what is on screen, but never before have I seen a men-of-war film more notable for its psychology than its spectacle. show more
Rarely has a major motion picture -- and this one is major by virtue of its misplaced ambition as well as its budget -- been afflicted by such flagrant dissonance between subject and style.
There is one surprise in the movie, a decision having nothing to do with the reactor, that depends entirely on the ability of the characters to act convincingly under enormous pressure; casting stars of roughly equal weight helps it to work. show more