La Maison de la Radio (2013)

Making a film about a radio station doesnt sound like the most visually compelling of projects How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the readers voice correctly modulated Nicolas Philibert has accepted the challenge to portray that which cannot be seen Shouldering his camera he spent half a year wandering the endless corridors of Radio Frances round house on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work