Love

In Love the subtleties of first desires to climactic scenes of impassioned dialogue and action to betrayal disgust and violence that have played out over the history of film are ripped from original contexts and edited into a repetitive staccato rush regurgitating for our entertainment horror and critique the stereotypical hyperbolic trajectory of heterosexual love Through this process Moffatt unites the graphic punch and suggestiveness of the still image with the satisfaction of a complete movie narrative In the end its only a movie Love embodies Moffatts desire to create work that has an international look and deal with universal predicaments Love is both parody and pastiche critical comment and wryly humorous