79
Based on 32 Critics
84
Based on 842 Users
  • This season is more concerned with continuing to make its way through the lives of the women who occupy Litchfield Prison, and, with a few misses here and there, is so lived-in in its narrative voice and settled in its “Backstory of the Week” format that you’re quickly at peace and on board with the season’s new direction and slightly more upbeat tone. Show More

  • In its fifth season, the most important takeaway is that Orange Is the New Black” is a show that continues to take gutsy, filthy risks--port-a-potties are a major plot device this season, with all the scatological torture that implies --when it could be resting on its beige-uniformed laurels. It works. Show More

  • Orange Is the New Black is a frequently great, occasionally maddening TV show. That’s still the case even in a season that only covers three days in the lives of its many, many, many intricate characters. Show More

  • It’s better than the breakout first season, even, finally equalizing the wildly--though thrillingly--undulating tones and sprawling cast of characters into a streamlined and balanced, but just as original and bracing, mode of storytelling that makes the 13 episodes more bingeworthy than ever. Show More

  • Orange Is the New Black itself, which has grown richer, more surprising, and ambitious in its fourth season. That doesn’t always mean it’s better than ever--often it isn’t--but is just as admirable as ever. Show More

  • In some cases, the heightened stakes of the season help deliver some of the show's best performances yet and beats of staggering emotion. In other cases, a series that has reliably been careful to treat even the ugliest behavior with nuance pushes to such extremes that it threatens to undermine a lot of what came before. Show More

  • Judging by the first six episodes, this round is just as addicting as the first, the ensemble rising to the occasion of topping their first outting. Show More

  • Season 4 is so rich and dense with characters, backstories and subplots that some of its more interesting new additions remain mere teases. As always, the flashbacks remain the strongest aspects of the series. Show More

  • Season 3 is an utterly confident mix of gritty comedy and affecting, underplayed drama. Show More

  • This fourth season is not pretending that things are funnier or more upbeat than they really are. Either by accident or design, Kohan and her team have found a way to pull the rug out from under its audience, with a sudden reminder of the horrors of mass incarceration. Show More

  • Orange is one of the best new programs of the year, and the six episodes I've seen have left me hungry to see more. Show More

  • The structure of most OITNB episodes--in which one character is brought to the fore and we see flashbacks to that person’s past history, details about how that woman or man was shaped and became the person she or he is--has by now, in the new season, become predictable, either comfortingly or tediously so, depending on your degree of engagement with the series.... It’s all pretty pleasant, even if the jokes are often corny. Show More

  • Quibbles aside, watching this superb cast working together remains a pleasure, and it makes Season 2 of Orange Is the New Black an irresistible summer viewing choice. Show More

  • Kohen, basing her series on Piper Kerman's memoir, immediately gives us characters worth watching.... Orange is the New Black is TV that'll have you talking for days. Show More

  • Even if not every storyline sings and if Season 2 occasionally lacks the forward momentum that Pipex gave it, I still marvel at the urgency that underpins much of OITNB. Show More

See all critic reviews on metacritic.com