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reviews

1
Based on 10 Reviews
critic reviews (10)
fan reviews ( 0 )
  • NA
    Peter Stack San Francisco Chronicle

    Shore possesses only two talents -- his ability to assume yoga-like positions and fondle his own behind, and his mystifying knack for getting starring roles in bad movies. show more

  • NA
    David Sterritt Christian Science Monitor

    Pauly Shore is less a comedian than a class clown, and his dim-witted mugging makes Jim Carrey's antics seem creative triumphs by comparison. Vapid, vulgar, and more to the point, not funny. show more

  • NA
    San Francisco Examiner

    This film may set an all-time record for shortest time between the big screen and your local video store. show more

  • 20
    TV Guide

    A potentially amusing comic premise -- dropping a pair of anarchic stoners into the spaced-out, sanctimonious world of New Age bio-dome enthusiasts -- gets submerged in a shower of witless gags and the feeble one-joke persona of MTV celebrity Pauly Shore. show more

  • 42
    Entertainment Weekly

    Even with the low expectations any reasonable viewer brings to a Shore flick, this rates only stupid-plus. The bongs-and-pajamas set, though, should be riveted. show more

  • NA
    John Anderson Los Angeles Times

    [Shore] seems convinced that the antics of his retarded persona amount to some manner of postmodernist anti-comedy and this makes the resultant boredom seem all the more pathetic. show more

  • NA
    Stephen Holden The New York Times

    Thoroughly incoherent... A dreary fizzle. [12 Jan 1996, p.C12] show more

  • NA
    Variety

    Neither the script nor direction lives up to the concept, and the picture evolves into a "Bio"-degradable hash rather than a zany sendup of potent issues and serious intents gone awry. show more

  • NA
    Hal Hinson Washington Post

    A nonstop moronathon... Bio-Dome offers a pants-load of poop and masturbation jokes, deviant innuendo and simian sight gags destined to gross out and offend just about everyone. show more

  • NA
    The New Yorker

    The sheer ineptitude of the movie is supposed to be funny, but there's no lunacy behind it: Shore and his writers are like comedians on Prozac, smiling through the fart jokes without a hint of desperation. show more

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