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Los Angeles Times
If the movie doesn't entirely get past its hard-to-buy premise, director Paolo Sorrentino does have the courage of his convictions, not just embracing every contradiction but spinning many of the story's contrivances into moments of strange, aching beauty. Full Review
A.O. Scott
The New York Times
Maybe, beneath the stylistic flourishes and bursts of operatic emotion, it is a simple story of psychological struggle, about a man in midlife reckoning with the damage of his past. But to settle on that interpretation is to deny or discount the splendid strangeness of Mr. Sorrentino's vision - and also, therefore, of the curious corners of reality he discovers along the way. Full Review
Andrew Lowry
Total Film
Succeeding against the odds and adroitly blending its disparate elements, this is a fine entry into the Eurodirector-gawps-at-America subgenre. Full Review
Angie Errigo
Empire
Determinedly quirky and cool, arresting and ultimately too baffling to be satisfying, although Penn is priceless. Cultdom beckons. Full Review
Joe Morgenstern
Wall Street Journal
As juxtapositions go, regressed Goth rock star and Holocaust could hardly be more bizarre, and bizarre can be good when it's done deftly. In this case, however, it's done ponderously and sententiously. Full Review
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