Highlights
The Devil Wears Prada 2 - Runway Ready Clip
The Devil Wears Prada 2
The Devil Wears Prada 2 -  He Hired Me Last Night Clip
The Devil Wears Prada 2
Mortal Kombat II - Exclusive Interviews
Mortal Kombat II
Dune: Part Three - Official Poster
Dune: Part Three
Cape Fear Season 1 - What Is Your Worst Fear Clip
Cape Fear
The Runner - Official Poster
The Runner
The Boys Final Season - The Rumors Are True Clip
The Boys
The End of Oak Street - Anne Hathaway as Denise Platt Character Poster
The End of Oak Street
Star Wars: The Mandalorian and Grogu - Summer is made for Star Wars Clip
The Mandalorian and Grogu
Disclosure Day - Official Poster
Disclosure Day
Masterplan - Teaser Trailer
Masterplan
Enola Holmes 3 - Official Poster
Enola Holmes 3
Margo's Got Money Troubles Season 1 - Unforgettable Nonverbal Acting Clip
Margo's Got Money Troubles
Evil Dead Burn - Hunter Doohanand and Luciane Buchanan at the Los Angeles Fan Event
Evil Dead Burn

Clive OwenQuotes

Clive Owen
Birthday
October 3rd, 1964
From
Keresley, Coventry, Warwickshire, England, UK
Actor

Closer - A Request for Clarity

Larry: Tell me.

Closer - A Confession of Infidelity and Regret

Larry: I slept with someone in New York. A whore. I'm sorry.

Closer - Confrontation and Honesty in Relationships

Larry: That's the spirit. Thank you. Thank you for your honesty. Now fuck off and die, you fucked up slag.

Closer - The Complexity of Love and Compromise

Larry: You don't know the first thing about love, because you don't understand compromise.

Closer - The Harsh Reality of Human Emotion

Larry: Have you ever seen a human heart?! It looks like a fist wrapped in blood - go fuck yourself! You writer! You liar!

Closer - Confronting Truths and Insecurities in Relationships

Larry: Dan, I lied to you. I really did fuck Alice. I'm sorry I had to tell you, but I'm just not big enough to forgive you, Buster.

Closer - A Complex Exchange of Freedom and Control

Larry: [speaking to Anna] You'd be my whore. And in return I will pay you with your liberty.

Closer - Struggling with Self-Worth and Relationships

Larry: Don't say it! Don't you fucking say "you're too good for me." I am, but don't say it.

Closer - Love Embraces Pain and Acceptance

Larry: I know who you are. I love you. I love everything about you that hurts.

Inside Man - Unexpected Consequences of Criminal Ambitions

Dalton Russell: Soon I'm gonna be sucking down Piña Coladas in a hot tub with six girls named Amber and Tiffany.
Det. Keith Frazier: [in a sing-songy voice] No, it's more like in the shower with two guys named Jamal and Jesus...and here's the bad news; that thing you're sucking on? It's not a Piña Colada!

Inside Man - Unlikely Conversations During Unexpected Situations

Det. Keith Frazier: I wouldn't get too comfortable here.
Dalton Russell: I have the cable guy coming on Wednesday.

Inside Man - Calmness in Tension

Dalton Russell: Don't I sound calm to you?
Det. Keith Frazier: Yes, you do.

Inside Man - The Persistence of Lies and Evil Deeds

Dalton Russell: Fact is, all lies, all evil deeds, they stink. You can cover them up for a while, but they don't go away.

Inside Man - Determined to Leave on His Terms

Dalton Russell: When I'm good and ready, I'm gonna walk right through the front door.

Inside Man - Questioning the absurdity of the situation

Dalton Russell: [[w:Dixie (song)|Dixie] Or am I just whistling "]" out of my ass?

Inside Man - The Value of Respect as Currency

Dalton Russell: Respect is the ultimate currency.

Inside Man - Questioning Intelligence in a Challenging Situation

Dalton Russell: Anyone else here smarter than me?

Inside Man - Consequences of Poor Decisions in High-Stakes Situations

Dalton Russell: Peter, think very carefully about how you answer the next question, because if you get it wrong, your headstone will read: "Here lies Peter Hammond, hero who valiantly attempted to prevent a brilliant bank robbery by trying to hide his cellular phone, but wound up getting shot in the fucking head.

Inside Man - A Bold Statement on Bank Heist Intentions

Dalton Russell: My friends and I are making a very large withdrawal from this bank. Anybody gets in our way, gets a bullet in the brain.

Inside Man - Countdown to Consequences

Dalton Russell: You have four seconds. Anyone still standing gets shot.

Inside Man - The Perfectly Planned Bank Robbery

Dalton Russell: When I said that I planned the perfect bank robbery, I meant precisely that.

Inside Man - The Art of Precision in Communication

Dalton Russell: [[William Shakespeare|the Bard] My name is Dalton Russell. Pay strict attention to what I say because I choose my words carefully and I never repeat myself. I told you my name, that's the who. The where could most readily be described as a prison cell. But there's a vast difference between being stuck in a tiny cell and being in prison. The what is easy. Recently, I planned and set in motion events to execute the perfect bank robbery. That's also the when. As for the why, beyond the obvious financial motivation, it's exceedingly simple: Because I can. Which leaves us only with the how. And therein, as ] would tell us, lies the rub.

Croupier - The Significance of Numbers in Life

Jack Manfred: [voiceover] Chapter 13. It's all numbers, the croupier thought. Spin of the wheel, turn of the card, time of your life, date of your birth, year of your death. In the book of Numbers the Lord said, "Thou shall count thy steps.

Croupier - The Thrill of Watching Others Lose

Jack Manfred: [voiceover] A wave of elation came over him; he was hooked again... watching people lose.

Croupier - Understanding Contradictions in Identity

Jack Manfred: I'm not an enigma, just a contradiction.

Croupier - Return to the House of Addiction

Jack Manfred: [voiceover] Welcome back Jack, to the house of addiction.

Croupier - Strength and Vulnerability in Life's Struggles

Jack Manfred: [voiceover] The world breaks everyone, and afterwards many are strong at the broken places. But those that will not break, it kills - it kills the very good, and the very gentle, and the very brave, impartially. If you are none of these, you can be sure it will kill you, too, but there will be no special hurry.

Croupier - The Complexity of Betrayal

Jack Manfred: [voiceover] Chapter 3. His existence was forming an interesting pattern of betrayals. Sometimes he was unsure whether he was the betrayer or the betrayed.

Croupier - Balance Between Control and Release

Jack Manfred: Hang on tightly, let go lightly.

Croupier - The Still Center of Misfortune

Jack Manfred: [self reflection] Now he had become the still center of that spinning wheel of misfortune. The world turned round him leaving him miraculously untouched. The croupier had reached his goal. He no longer heard the sound of the ball.

Elizabeth: The Golden Age - The Weight of Duty and Fear

Queen Elizabeth I: Are you here to tell me I must murder a Queen?
Sir Walter Raleigh: I would never presume to tell my Queen what to do. Only you know where your duty lies.
Queen Elizabeth I: Was it my father's duty to murder my mother? She was a Queen, for a time. Oh, I would be loath to die so bloody a death.
Sir Walter Raleigh: Since when were you so afraid?
Queen Elizabeth I: I'm always afraid.
Sir Walter Raleigh: Kill a Queen and all Queens are mortal. We mortals have many weaknesses: we feel too much, hurt too much. All too soon we die, but we do have the chance of love.
Queen Elizabeth I: Do we? I have given England my life. Must she also have my soul?

Elizabeth: The Golden Age - Naming a Land After a Queen

Sir Walter Raleigh: We have named it Virginia, after our Virgin Queen.
Queen Elizabeth I: Virginia"? And when I am married, will you rename it to "Conjugia"?

Elizabeth: The Golden Age - The Duality of Mortality and Love

Sir Walter Raleigh: We mortals have many weaknesses; we feel too much, hurt too much or too soon we die, but we do have the chance of love.

Elizabeth: The Golden Age - Embrace Today, Dismiss Fear of Tomorrow

Sir Walter Raleigh: Why be afraid of tomorrow when today is all we have?

Sin City - Logistical Challenges in Sin City

Dwight: Just look at that trunk. We'll never fit them all in.

Sin City - Dwight's Hope for Information from Enemies

Dwight: Miho, I hope to hell ya left one of them alive enough to talk.

Sin City - Vengeance and Destruction in Sin City

Dwight: The girls all know the score. No escape. No surrender. No mercy. We got to kill every last rat bastard one of them, every last one. Not for revenge. Not because they deserve it. not because it'll make the world a better place. We need a heap of bloody bodies so when the mob boss, Wallenquist, looks over his charts of profits and losses, he'll see what it cost him to mess with the girls of Old Town. The valkyrie at my side is shouting and laughing with the pure, hateful, bloodthirsty joy of the slaughter. And so am I. The fire, baby. It'll burn us both. There's no place in this world for our kind of fire. My warrior woman. My valkyrie. You'll always be mine. Always. And never.

Sin City - Dwight's Praise for Miho's Timeliness

Dwight: [[w:Mother Teresa|Mother Teresa; [w:Elvis Presley|Elvis] Little Miho, you're an angel, you're a saint, you're ], you're ]. You're God. And if you'd gotten here about ten minutes sooner, we'd still have Jackie-Boy's head.

Sin City - Moral Dilemma in a Desperate Situation

Dwight: I don't have a chance in hell of outrunning this cop. Not in this heap. The only question left is whether I'm gonna kill him or not. Tough call. For all I know, he's an honest cop, regular guy. Working stiff with a mortgage, a wife and a pile of kids.

Sin City - Imaginary Conversations with a Deceased Asshole

Dwight: Sure, he's an asshole. Sure he's dead. Sure, I'm just imagining that he's talking. That doesn't stop the bastard from being absolutely right.

Sin City - A Gruesome Transformation in Sin City

Dwight: [[w:PEZ|Pez] She doesn't quite chop his head off. She makes a ] dispenser out of him.

Sin City - Dwight Asserts His Serious Intentions

Dwight: I let him know I'm not fooling around.

Sin City - The Cost of Proving Your Worth

Dwight: It's time to prove to your friends that you're worth a damn. Sometimes that means dying, sometimes it means killing a whole lot of people.

Sin City - Desire for a Practical Vehicle

Dwight: A hardtop with a decent engine. And make sure it's got a big trunk.

Sin City - Consequences of Negligence in Sin City

Dwight: You made a big mistake yourself...you didn't flush.

Sin City - Threatening Loyalty in a Relationship

Dwight: I'm Shellie's new boyfriend, and I'm out of my mind. If you so much as talk to her or even think her name, I'll cut you in ways that'll make you useless to a woman.

Sin City - Marv's Misfit Nature Across Time and Space

Dwight: Most people think Marv is crazy. He just had the rotten luck of being born in the wrong century. He'd be right at home on some ancient battlefield swinging an axe into somebody's face. Or in a Roman arena, taking his sword to other gladiators like him. They would've tossed him girls like Nancy back then.

Sin City - Strategic Advantage in a Fight

Dwight: Dozens of them, armed to the teeth. I'm outnumbered, outgunned... but the alley is crooked, dark, and very narrow. They can't surround me. Sometimes you can beat the odds by a careful choice of where to fight...Where to fight counts for a lot, but there's nothing like having your friends show up with lots of guns.

Sin City - Imagining a Confrontation with Jackie Boy

Dwight: You shut the hell up, Jackie Boy. You're dead. I'm just imagining this, so shut the hell up.

Gosford Park - An Unlikely Conversation About Stabbing Corpses

Mary Maceachran: Nobody can stab a corpse and not know it.
Robert Parks: Really? When was the last time you stabbed a corpse?

Shoot 'Em Up - Confrontation and Wit Amid Threats

Hertz: Tell me where the woman and the child are. (grabs Smith's ring finger) Tell me, or I will be forced to cause you...considerable agony.
Smith: Believe me... nothing could be more agonizing than to listen to you jabberin on and on.

Shoot 'Em Up - Discussion of Shooting Techniques

Smith: Talk about shooting your load.

Shoot 'Em Up - Luxury Cars and Porcupines Explained

Smith: Want to know the difference between this luxury car and a porcupine?
DQ: I give up.
Smith: With the car, the pricks are on the inside.
DQ: Tell me about it.

Shoot 'Em Up - Miscommunication and Defiance in Dialogue

DQ: (Ranting at Smith in Italian)
Smith: I don't understand a word you're going on about, but I know exactly what you're saying and I refuse to apologize.

Shoot 'Em Up - A Conversation About Trust and Consequences

DQ: Why don't you take this baby to the police?
Smith: I can't go to the police.
DQ: Why not?
Smith: [[w:Unabomber|Unabomber] I'm the ].
DQ: They caught the Unabomber.
Smith: That's what they think.

Shoot 'Em Up - Naming a Character Inspired by Literature

Smith: We could call him Oliver. Like Oliver Twist.
DQ: Because he's an orphan?
Smith: Because I liked the book.
DQ: You liked the book?
Smith: I didn't hate it.
DQ: That's a first.

Shoot 'Em Up - Appreciation for the Power of Guns

Smith: (after having shot Hammerson with his own gun) Aren't guns just fucking great, Hammerson?

Shoot 'Em Up - Disdain for Cowardice with Firearms

Smith: You know what I really hate? What I really hate, is a pussy with a gun in his hand.

Shoot 'Em Up - Unexpected Nobel Prize Revelation

Smith: You didn't know about my Nobel Prize?

Shoot 'Em Up - Understanding the Responsibility of Firearms

Smith: (Teaching Oliver about guns) This is the business end. You should never point this at anything you don't intend to kill.

Shoot 'Em Up - Tank Protection from Gunfire and Explosives

Smith: This is an M-24 tank. You'll be safe from gunfire and most explosives.

Shoot 'Em Up - Humorous Take on Healthy Eating

Smith: (after ramming a carrot through the back of a guy's head) Eat your vegetables.

Shoot 'Em Up - Confrontational Expression of Anger

Smith: Fuck you, you fucking fuckers.

Shoot 'Em Up - Disappointment in an Unimpressive Item

Smith: [[w:Walther PPK|Walther PPK] (after using a ]) What a piece of crap.

Shoot 'Em Up - Expressions of Discontent from Smith

Smith: (repeated) You know what I hate?

Children of Men - The Loss of Hope in Despair

Theo Faron: I can't really remember when I last had any hope, and I certainly can't remember when anyone else did either. Because really, since women stopped being able to have babies, what's left to hope for?

King Arthur - A Clash of Ideals and Allegiances

Cerdic: Arthur. Wherever I go on this wretched island, I hear your name. Always half-whispered, as if you were a god. All I see is flesh and blood, no more god than the creature you're sitting on.
Arthur: Speak your terms, Saxon.
Cerdic: The Romans have left you. Who are you fighting for?
Arthur: I fight for a cause beyond Rome's or your understanding.
Cerdic: [Arthur levels his sword at Cerdic's face] You come to beg a truce. You should be on your knees.
Arthur: [''Arthur rides off''] I came to see your face, so that I alone may find you on the battlefield. And it would be good for you to mark my face, Saxon, for the next time you see it, it will be the last thing you see on this earth!
Cerdic: Ah... Ah, finally. A man worth killing.

King Arthur - A New World Awaits After Rome's Departure

Merlin: So Rome is leaving. The Saxon is come. The world we have known and fought for is ended. Now we must make a new world.
Arthur: Your world, Merlin, not mine. I shall be in Rome.
Merlin: To find peace? The Saxon will come to Rome.
Arthur: My knights trust me not to betray them to their enemy!
Merlin: Rome was my enemy. Not Arthur. We have no fight between us now.
Arthur: You tell that to the knights you've killed before my eyes, whose bones are buried in this earth.
Merlin: We have all lost brothers-
Arthur: [furious; Arthur sees a flashback of his mother's death; Arthur hold his sword to Merlin's throat] YOU KNOW NOTHING OF THE LOSS I SPEAK! Shall I help you remember? An attack on a village. The screams of an innocent woman ...I ran to the burial mound of my father to free her, to kill you. I feel the heat of that fire on my face even now.
Merlin: I did not wish her dead. She was of our blood...as are you.
Guinevere: [Arthur slowly lowers his blade] If you were so determined to leave us to slaughter, why did you save so many?
Merlin: My men are strong, but they have need of a true leader. They believe you can do anything. To defeat the Saxon, we need a master of war; why do you think I spared your life in the forest? That sword you carry is made of iron from this earth forged in the fires of Britain. It was love for your mother that freed the sword, not hatred of me. Love, Arthur.
Guinevere: It is your destiny.
Arthur: There is no destiny. There is only free will.
Merlin: And what of the free will of your knights? Did they die in vain?

King Arthur - A Call for Further Courage and Sacrifice

Arthur: Knights... Brothers and arms... Your courage has been tested beyond all limits.
Bors: Yes.
Arthur: But I must ask you now for one further trial.
Bors: Drink.
Arthur: We must leave on a final mission for Rome before our freedom can be granted. Above the wall, far north, there is a Roman family in need of rescue. They are trapped by Saxons. Our orders is to secure their safety.
Bors: Let the Romans take care of their own.
Gawain: Above the wall is Woad territory.
Galahad: Our duty to Rome, if it ever was a duty, is done. Our pact with Rome is done.
Bors: Every knight here has laid his life on the line for you. For you. And instead of freedom you want more blood? Our blood? You think more of Roman blood than you do of ours?
Arthur: Bors! These are our orders. We leave at first light, and when we return your freedom will be waiting for you. A freedom we can embrace with honour.
Bors: I'm a free man! I will choose my own fate!
Tristan: Yeah, yeah, we're all going to die someday. If it's a death from a Saxons hand that frightens you, stay home.
Galahad: Listen, if you're so eager to die, you can die right now! I've got something to live for!
Lancelot: Enough. Enough!
Dagonet: The Romans have broken their word. We have the word of Arthur. That is good enough. I'll prepare. Bors, are you coming?
Bors: OF COURSE I'M COMING! I CAN'T LET YOU GO ON YOUR OWN, YOU'LL ALL GET KILLED! I'M JUST SAYING WHAT YOU'RE ALL THINKING!

King Arthur - Unity Among All Britons

Arthur: Let every man, woman, child bear witness that from this day, all Britons will be united in one common cause.

King Arthur - A King's Regret for His Knights

Arthur: My brave knights, I have failed you! I neither took you off this island...nor shared your fate.

King Arthur - The Essence of Freedom and Destiny

Arthur: Knights! The gift of freedom is yours by right. But the home we seek resides not in some distant land. It's in us! And in our actions on this day! If this be our destiny, then so be it. But let history remember that as free men, we chose to make it so.

King Arthur - Embracing Freedom and Acknowledging Consequences

Arthur: You be my friend now and do not dissuade me. Seize the freedom you have earned and live it for the both of us. I cannot follow you, Lancelot. I now know that all the blood I have shed, all the lives I have taken have led me to this moment.

King Arthur - The Death of Hope

Arthur: Pelagius told me once there is no worse death than the end of hope.

King Arthur - Meaningful Deeds and Higher Purposes

Arthur: Deeds in themselves are meaningless unless they are done for some higher purpose. We have waged a war to protect a Rome that doesn't exist. Is that the deed I am to be judged by?

King Arthur - Challenging the Notion of Inequality

Arthur: What, that some men are born to be slaves? No, that isn't true.

King Arthur - A Knight's Plea for Divine Mercy

Arthur: O merciful God, I have such need of Your mercy now. Not for myself, but for my knights, for this is truly their hour of need. Deliver them from their trials ahead and I will pay You a thousand fold with any sacrifice You ask of me. And if in Your wisdom, You should determine that sacrifice must be my life for theirs; so that they can once again taste the freedom that is so long been denied to them, I will gladly make that covenant. My death will have a purpose. I ask no more than that.

The Bourne Identity - Confrontation Between Bourne and The Professor

Bourne: Who else is out here? Who else? How many you got with you? I'm not gonna ask you again.
The Professor: I work alone, like you. We always work alone...
Bourne: What do you mean?
The Professor: Who are you, Rome? Paris? Treadstone, both of us.
Bourne: Treadstone?
The Professor: Which one?
Bourne: Paris. I live in Paris.
The Professor: Do you get the headaches?
Bourne: ...Yeah.
The Professor: Oh, I get such bad headaches. You know at night, when you're driving a car? I dunno, maybe it's something to do with the headlights...
Bourne: What is Treadstone?
The Professor: Treadstone sent pills, they said "Go to Paris"...
Bourne: Is Treadstone in Paris?
The Professor: ...Look at this. Look at what they make you give.