Highlights
Thrash - Trapped Between Flood and Sharks Clip
Thrash
Off Campus Season 1 - Absolutely Obsessed with Justin Kohl Clip
Off Campus
Star Wars: The Mandalorian and Grogu - Summer is made for Star Wars Clip
The Mandalorian and Grogu
Onslaught - Alex Pereira as The Butcher Character Poster
Onslaught
For All Mankind Season 5 - 50 Years in 20 Seconds Clip
For All Mankind
Without Blood - Salma Hayek Pinault as Nina
Without Blood
Thrash - When Disaster Meets the Deep Clip
Thrash
Onslaught - Rebecca Hall as Hanna Kammler Character Poster
Onslaught
Emily in Paris Final Chapter - Merci Paris Clip
Emily in Paris
Paper Tiger - Pearl Family
Paper Tiger
Practical Magic 2 - Earth-Rooted or Solar-Ruled Sister Clip
Practical Magic 2
Without Blood - Official Poster
Without Blood
Scary Movie - Wayans Family Clip
Scary Movie
A Different World Season 1 - Maleah Joi Moon as Deborah Wayne
A Different World

Donald SutherlandQuotes

Donald Sutherland
Birthday
July 17th, 1935
From
Saint John, New Brunswick, Canada
Actor

Klute - Tension Between Klute and Ligourin Emerges

John Klute: I understand you use narcotics. Maybe I can have a policeman come here and look at your... arms.
Frank Ligourin: You know, I may stand better with the cops than you do, pal. Why don't you just sit down and relax, eh?

Klute - Exploring Identity and Hypocrisy in Klute

Bree Daniel: What's your bag, Klute? What do you like? Are you a talker? A button freak? Maybe you like to get your chest walked around with high heeled shoes. Or make em watch you tinkle. Or maybe you get off wearing women's clothes. Goddamned hypocrite squares!
John Klute: Okay...
Bree Daniels: I hope this doesn't make my cold any worse.

Klute - City Life and Its Temptations

Bree Daniel: Tell me, Klute. Did we get you a little? Huh? Just a little bit? Us city folk? The sin, the glitter, the wickedness? Huh?
John Klute: Ah - that's so pathetic.
Bree Daniel: Fuck off!

Klute - Struggles of a Former Lifestyle

Bree Daniel: Look, will you please just try to get it from my side? A year ago I was in the life full time, I was living on Park Avenue. It was a very nice apartment, leather furniture... and then the cops dropped on me, they caged me. They started asking me about a guy, some guy, that I'm supposed to have seen a year before that. Two years ago! He could be in Yemen. Gruneman... what does that mean? It's a name! I don't know him! And they start showing me these pictures, and they don't mean anything to me. And then they started asking me if I've been getting letters from some guy out in Cabbageville.
John Klute: [coldly] Tuscarora.

Klute - Questioning Trust and Survival

John Klute: Miss Daniels, can I ask you some questions now?
Bree Daniel: [notices Klute's surveillance gear] You bastard! Is this a shakedown, hon'? Cause you picked a loser, I don't have it.
John Klute: I'm looking for Tom Gr...
Bree Daniel: [interrupts him] Jesus, do you think I'd still be living in this kip if I was still in the line fulltime? I'd be back on Park Avenue.
John Klute: Can I ask you some questions?
Bree Daniel: Or you'll have me thrown back in the brig, you mean.

Backdraft - Contemplating Destruction and Future Encounters

Rimgale: What about the world, Ronald? What would you like to do to the whole world?
Ronald Bartel: Burn it all.
Rimgale: See you next year, Ronald.

Backdraft - The Constant Role of Firemen

Ricco, Pathologist: [to Brian about picking up the burned body] Jesus Christ! He's not going to sell you insurance, pick him up!
Ronald Bartel: The funny thing about firemen is... Night and day they are always firemen.

JFK - The Politics of Power and Assassination

Jim Garrison: I never realized Kennedy was so dangerous to the Establishment. Is that why?
X: [[w:Lee Harvey Oswald|Oswald; [w:Jack Ruby|Ruby; [w:Cold War|Cold War; [Julius Caesar|Caesar] Well, that's the real question, isn't it? Why? The How and the Who is just scenery for the public. ], ], Cuba, the Mafia, keeps em guessing like some kind of parlor game. Prevents em from asking the most important question: Why? Why was Kennedy killed? Who benefited? Who has the power to cover it up? Who?...The organizing principle of any society, Mr. Garrison, is for war. The authority of the state over its people resides in its war powers. And Kennedy wanted to end the ] in his second term. He wanted to call off the moon race in favor of cooperation with the Soviets. He signed a treaty with the Soviets to ban nuclear testing. He refused to invade Cuba in 1962 and he set out to withdraw from Vietnam. But all of that ended on the 22nd of November, 1963. As early as 1961, they knew Kennedy was not going to war in Southeast Asia. Like ], he is surrounded by enemies and something's underway, but it has no face. Yet everybody in the loop knows...Everything is cellularized. No one has said, He must die. There's been no vote. Nothing's on paper. There's no one to blame. It's as old as the crucifixion. A military firing squad: five bullets, one blank. No one's guilty, because everyone in the power structure who knows anything has a plausible deniability. There are no compromising connections except at the most secret point. But what's paramount is that it must succeed. No matter how many die, no matter how much it costs, the perpetrators must be on the winning side and never subject to prosecution for anything by anyone. That is a coup d'état....
Jim Garrison: I don't, I can't - I can't believe they killed him because he wanted to change things. In our time. In our country.
X: Well, they've been doing it all through history. Kings are killed, Mr. Garrison. Politics is power, nothing more! Oh, don't take my word for it, don't believe me. Do your own work, your own thinkin'....
Jim Garrison: The size of this is beyond me. Testify...Testify.
X: No chance in hell. No, I'd be arrested and gagged, maybe sent to an institution, maybe worse, you too. I can give you the background, but you have to find the foreground, the little things. Keep digging. Remember, you're the only person to bring a trial in the murder of John Kennedy. That's important, it's historic.
Jim Garrison: I haven't yet. I don't have much of a case.
X: You don't have a choice anymore. You've become a significant threat to the national security structure. They would have killed you already but you got a lot of light on you. Instead, they're trying to destroy your credibility. They already have in many circles in this town. Be honest. Your only chance is to come up with a case. Something. Anything. Make arrests. Stir the shit storm. Hope to reach a point of critical mass that'll start a chain reaction of people coming forward. Then the government'll crack. Remember, fundamentally, people are suckers for the truth, and the truth is on your side, Bubba. I just hope you get a break.

The Hunger Games: Catching Fire - Announcement of the Third Quarter Quell

President Coriolanus Snow: Ladies and gentlemen, this is the seventy-fifth year of the Hunger Games. It was written in the charter of the Games that every twenty-five years, there would be a Quarter Quell to keep fresh for each new generation the memory of those who died in the uprising against the Capitol. Each Quarter Quell is distinguished by Games of a special significance. And now, on this the 75th anniversary of our defeat of the Rebellion, we celebrate the third Quarter Quell … As a reminder that even the strongest cannot overcome the power of the Capitol, on this the Third Quarter Quell Games, the male and female tributes are to be reaped from the existing pool of victors in each district … regardless of age, state of health, or situation.

A Time to Kill - Pursuing Justice Against All Odds

Lucien Wilbanks: You wanted this case, well you've got it. It isn't easy saving the world even one case at a time, but you stick with it. You just might have a knack for it. Don't do what I did. Don't quit.
Jake Tyler Brigance: What are you talking about, quit. You're a hero Lucien.
Lucien Wilbanks: Hero my ass. Do you think the world needed me beating cops heads on that picket line. I was needed here. In that courtroom. And I let them push me, I gave them an excuse to kick me out and now I can never plead a case in there again. But you can. You're an attorney. Be proud. Your job is to find justice no matter how well she may hide herself from you. So you go on in there and you do your job.

Disclosure - Lawyer's Reputation Creates Concerns in Legal Battle

Philip Blackburn: It gets worse. His lawyer is Catherine Alvarez.
Bob Garvin: Oh, great. She'd change her name to "TV Listings" just to get it in the paper.

Disclosure - Legal System's Role in American Society

Bob Garvin: This is America, goddammit. The legal system is supposed to protect people like me!

Disclosure - Navigating Complexity in Mergers and Relationships

Bob Garvin: The Chinese say, "May you live in interesting times." Well this has been the most interesting merger since my second marriage.

Pride & Prejudice - A Request for Privacy Misunderstood

Mr. Collins: Mrs. Bennet I was hoping, if it would not trouble you, that I might solicit a private audience with Miss Elizabeth in the course of the morning.
Mrs. Bennet: Oh, yes. Certainly. Lizzy will be very happy indeed. Everyone, out. Mr. Collins would like a private audience with your sister.
Elizabeth Bennet: No, no, wait, please. I beg you. Mr. Collins can have nothing to say to me that anybody need not hear.
Mrs. Bennet: No nonsense, Lizzy. I desire you will stay where you are. Everyone else to the drawing room. Mr. Bennet?
Mr. Bennet: But...

The Hunger Games: Mockingjay - Part 1 - Strategic Maneuvers and Counteractions

President Coriolanus Snow: [''After rebels implode a [[w:hydroelectric dam|hydroelectric dam] ] knocking out power] Moves and counter moves.

The Hunger Games: Mockingjay - Part 1 - Preserving Order Through Fear and Control

President Coriolanus Snow: Citizens, tonight I address all of Panem as one. Since the Dark Days, Panem has had an unprecedented era of peace. It is a peace built upon cooperation. And a respect for law and order. In the past weeks, you have heard of sporadic violence following the actions of a few radicals in the Quarter Quell. Those who choose this destructive path, your actions are based on a misunderstanding of how we have survived. Together. It is a contract. Each district supplies the Capitol. Like blood to a heart. In return, the Capitol provides order and security. To refuse work is to put the entire system in danger. The Capitol is the beating heart of Panem. Nothing can survive without a heart. The criminals that kneel before you use symbols for the purpose of sedition. Which is why all images of The Mockingjay are now forbidden. Possessing them will be considered treason. Punishable by death. Justice shall be served swiftly. Order shall be restored. To those who ignore the warnings of history, prepare to pay the ultimate price.

The Italian Job - Plans and Consequences in The Italian Job

Charlie: Steve, What the hell are you doing?
Steve Bendel: Made a few plans of my own.
John Bridger: There's nowhere you can go where we won't find you, Steve. You know that.
Steve: [shoots him] I think that's probably right, John.

The Italian Job - The Value of Relationships Over Wealth

John Bridger: Charlie, there are two kinds of thieves in this world: the ones who steal to enrich their lives, and the ones who steal to define their lives. Don't be the latter. Makes you miss out on what's really important in this life.
Charlie Croker: What are you talking about, John? You've been a good father.
John: Sending presents doesn't make you a good father. I spent half my kid's life in prison. Don't get to be my age with nothing but this, Charlie. Find somebody you want to spend the rest of your life with and hold onto her forever. Okay?

The Italian Job - Unexpected Morning Call from Father

John Bridger: Hello, sweetie.
Stella: [checks the clock] Daddy... it's early.
John: I just wanted to let you know that I'm sending you something.
Stella: Mmm. Does it smell nice?
John: No...But it's sparkly.
Stella: [suddenly wide awake] Does it have a receipt?
John: [chuckles] I'm sending it to you from the store.
Stella: Hmm. Why don't you just come by? We'll have some breakfast.
John: [pause] It'd be a long trip. I'm in Venice.
Stella: [sits up in bed] With your parole officer's approval, of course?
John: I like the guy, Stella, you know that. But we never really connected. So I think I've paid my PO his last visit.
Stella: What are you into, Dad? Don't break my heart. You told me you were through.
John: After this, I am through. I swear to you.