Ship of Fools - Seeking Support and Belief in Uncertainty
David:
Look, I need all the help I can get. I need someone who can believe in a man who hasn't proven himself yet. Someone to be there. To be for me.
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Ship of Fools - The Paradox of Passion and Survival
Bill Tenny:
What's the matter? Don't you make any money paintin'?
David:
No.
Bill Tenny:
Oh, now wait a minute. Come on, wait a minute. You mean to tell me that you work at somethin that you can't make a livin off, so you got to take a job to make enough money to go on workin at the work you can't live on?
Glocken:
But that is the heroic life. That is the way men who trust themselves can afford to live.
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Ship of Fools - Exploring Connection Beyond Physical Intimacy
David:
What's the matter?
Jenny Brown:
Twenty-six days in separate beds. It's probably a very good thing. We'll get to know each other. We'll find out whether we have anything going for us besides sex.
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A Touch of Class - Cultural Critique on American Masculinity
Vickie Allessio:
God, you're all the same. This obsession with male sexual prowess. It is so typically American.
Steve Blackburn:
Oh, is it?
Vickie Allessio:
It is, if you don't mind me telling you.
Steve Blackburn:
I don't mind you telling me, not a bit. But it's just that phrase I can't stand - "typically American".
Vickie Allessio:
Why not?
Steve Blackburn:
Because there's no such thing as typically American.
Vickie Allessio:
Whoa-ho-ho!
Steve Blackburn:
It's a big place, America. Which typically American Americans do you mean? The cab drivers in New York? The coal miners in Pennsylvania? The students at Berkeley? The Mormons in Utah? The Harlem Globetrotters? How about the Daughters of the American Revolution? Are those the ones you mean? I'll tell you something. They're all throwing rocks at each other. The only thing typically American about the two hundred million Americans is that they never do anything typically alike, and that goes for humping too.
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A Touch of Class - Unexpected Sunday Morning Plans
Steve Blackburn:
I suppose your husband likes to sleep late on Sundays?
Vickie Allessio:
Yes, he does.
Steve Blackburn:
I suppose you like to go home and cook him a nice big breakfast?
Vickie Allessio:
No.
Steve Blackburn:
Don't you like to cook?
Vickie Allessio:
Oh, I love to cook.
Steve Blackburn:
Doesn't he like to eat?
Vickie Allessio:
He loves to eat.
Steve Blackburn:
I, I don't understand.
Vickie Allessio:
We have different kitchens, his is in Milan.
Steve Blackburn:
It's a shame!
Vickie Allessio:
Please don't cry, he found another cook.
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Who's Afraid of Virginia Woolf? - Bunny Honey's Playful Exchange with Friends
Nick:
Here we are.
Honey:
Hip, hop! Hip, hop! Hip, hop! Hip, hop!
Nick:
Are you a bunny, Honey?
Honey: [giggles]
Bunny Honey!
George:
Well, now, how's the bunny?
Honey: [giggles]
Bunny funny!
George:
Bunny funny. Good for bunny!
Martha:
Come on, George!
George:
Honey, funny bunny.
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Who's Afraid of Virginia Woolf? - Perceptions of Success and Personal Discontent
Nick:
To you, everybody's a flop! Your husband's a flop, I'm a flop…
Martha:
You're all flops. I am the Earth Mother, and you are all flops.
Martha:
I disgust me. You know, there's only been one man in my whole life who's ever made me happy. You know that? One.
Nick:
What, the gym instructor or something?
Martha: [pause]
No, no, no, no. George. My husband?
Nick:
You're kidding.
Martha:
Am I?
Nick:
You must be! Him?
Martha:
Yep.
Nick:
George, sure!
Martha:
You don't believe it.
Nick:
Well, of course I do!
Martha:
You always deal in appearances?
Nick:
Oh, for God's sake.
Martha:
George, who is out somewhere there in the dark. Who is good to me. Whom I revile. Who can keep learning the games we play as quickly as I can change them. Who can make me happy and I do not wish to be happy. Yes, I do wish to be happy. George and Martha — sad, sad, sad.
Nick:
Sad.
Martha:
Whom I will not forgive for having come to rest, for having seen me and having said, "Yes, this will do". Who has made the hideous, the hurting, the insulting mistake of loving… me. And must be punished for it. George and Martha — sad, sad, sad.
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Who's Afraid of Virginia Woolf? - The Impact of Cruel Words
Nick:
That was cruel and vicious…
George:
Hmm, she'll get over it.
Nick:
… and damaging…
George:
She'll recover.
Nick:
… damaging to me!
George:
To you?
Nick:
To me!
George:
To you?
Nick:
YES!
George:
Oh-ho-ho-ho, beautiful! My god, you gotta have a swine to show you where the truffles are!
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Who's Afraid of Virginia Woolf? - Familiar Dance Among Friends and Tension
Honey:
They're dancing like they danced before.
George:
It's a familiar dance, Monkey Nipples. They both know it.
Honey: [drunkenly]
I don't know what you mean.
Martha: [sighs]
I like the way you move.
Nick:
I like the way you move, too.
George: [to Honey]
They like the way they move.
Honey: [drunkenly]
That's nice.
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Who's Afraid of Virginia Woolf? - The Intersection of Civilization and Disillusionment
George:
Take the trouble to construct a civilization, to build a society based on the principles of, uh… of principle.
Nick:
Honey!
George:
You make government and art and realize that they are, must be, both the same. You bring things to the saddest of all points, to the point where there is something to lose. Then, all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? "Up yours".
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Who's Afraid of Virginia Woolf? - Animal Noises in a Forest Setting
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Who's Afraid of Virginia Woolf? - Tension and Frustration in Late-Night Conversations
George:
All I said was that our son, the apple of our three eyes — Martha being a cyclops — our son is a beanbag, and you get testy!
Nick:
I'm sorry, it's late! I'm tired. I've been drinking since nine o'clock, my wife is vomiting… there's been a lot of screaming going on around here!
George:
So you get testy, naturally! Don't worry about it! Anybody who comes here ends up getting testy; it's expected! Don't be upset!
Nick:
I'm not upset.
George:
You're testy.
Nick:
Yes.
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Who's Afraid of Virginia Woolf? - Martha's Influence on Relationships and Perceptions
Nick: [to Honey]
We'll go in a little while.
George:
Oh no! No, you mustn't! Martha is changing, and Martha is not changing for me! Martha hasn't changed for me in years! If Martha is changing, that means we're going to be here for days. You're being accorded an honor. You mustn't forget that Martha is the daughter of our beloved boss. She is his right… arm, heh heh. I was going to use another word, but we'll leave that sort of talk to Martha.
Martha:
What sort of talk?
Nick:
Well, now.
George:
Why, Martha! Your Sunday chapel dress!
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Who's Afraid of Virginia Woolf? - Motivations Behind Choosing a Teaching Career
George:
What made you decide to be a teacher?
Nick:
Well, the same things that motivated you, I imagine.
George:
Oh? What were they?
Nick:
Pardon?
George:
I said, what were they? What were the things that motivated me?
Nick:
Well, I'm sure I don't know.
George:
You just finished saying that the things that motivated you were the same things that motivated me.
Nick:
I said I imagined they were.
George:
Oh, did you?
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Who's Afraid of Virginia Woolf? - Choosing Drinks Among Friends
Martha:
Fix the kids a drink, George. What would you like to drink, kid– kid.
Nick:
Honey? what would you like?
Honey:
Ohhhh, I don't know, dear, a little brandy maybe. "Never mix, never worry!
George:
Brandy? Just brandy? Simple, simple…
George:
What about you, em… em… em…
Nick:
Bourbon on the rocks, if you don't mind.
George:
Mind? I don't mind. I don't think I mind. Martha? Rubbing alcohol for you?
Martha:
Sure! "Never mix, never worry!
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Who's Afraid of Virginia Woolf? - Art and Relationships in Conversation
Nick:
Ah, who, ah… who did the painting?
Martha:
That? Oh, that's by…
George: [laughs stiffly]
… some Greek with a moustache Martha attacked one night in a, in a…
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Look Who's Talking - Misunderstanding Leads to Family Revelation
James:
May I help you?
Albert:
I am here to see my son.
James:
Sorry about that sir, I think you have the wrong apartment.
Albert:
Is this Mollie and her son? I am the father.
James:
So you say you are the boy's father?
Albert:
Yes, and I would like to see my son! The law is on my side, buddy boy!
James:
OK, if you are the father then maybe you can answer me these questions. When was he born?
Albert:
July 3rd.
James:
What is his favorite cereal?
Albert:
I don't know.
James:
Cheerios! What was his favorite stuffed animal, Fred or Barney? It's Fred right?
Albert:
Uh yeah it's Fred.
James:
No it's Barney, how many diapers does he go through in one day?
James:
About six! Who is his favorite rock star? Michael Jackson! Seriously, do you not think a father ought to know some of these things about his children?
Albert:
OK, how much is she paying you? Five dollars an hour?
Albert:
Here, go have some fun at the video arcade!
James:
Do not give me that shit!
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Look Who's Talking - Divorce, Patience, and Curious Questions
Albert:
Beth has finally agreed to a divorce. Oh Mollie, I am so glad you waited.
Mollie:
I knew if I was patient, this day would come.
Rona:
It says here that at the fourth month of pregnancy the baby's sexual organs become visible so depending on the gender it can identify the vulva or penis.
Mikey:
Hey, what is that that just came out? Is that like my hands? If so I wonder if that could go in my mouth?
James:
I will contact your husband for you.
Molly:
I do not have a husband. I was artificially inseminated.
James:
Are you a lesbo?
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