Margot at the Wedding - Confrontation and Claims of Violence
Malcolm:
I wanna punch that guy in the nose.
Pauline:
You've never hit anyone.
Malcolm:
I have too!
Pauline:
Who?
Malcolm:
Lots of people. You don't know them. They're not around cause I punched them.
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Margot at the Wedding - Betrayal of Trust Among Friends
Pauline:
Margot told Claude something I expressly told her in confidence, and he told Ingrid. I'm stunned that she put me in this position. It's so fucking infuriating!
Malcolm:
Well, it's one of those things...
Pauline:
Don't say anything, OK? You know what, just be there for me, silently.
Malcolm:
OK.
Pauline:
Why do I have to be so careful around her, but everyone is allowed to make fun of me?
Malcolm:
I don't think...
Pauline:
Malcolm, what did I just say? I just need you to take my side. I don't need you to make it better. Ingrid's really upset. Fuck, I can't believe she put me in this position! I didn't tell you before because I didn't want you to feel like you had to marry me. I found out right before our seminar that I'm pregnant.
Malcolm:
Uh-huh.
Pauline:
Well? Does that sound good to you?
Malcolm:
I'm still digesting Margot telling Claude. What a fucking nutjob. Sorry. I think I'm really happy.
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Margot at the Wedding - Collaboration and Competition in Creative Relationships
Margot:
He's doing the interview with me in town on Friday. Did I tell you he and I are collaborating on a screenplay? An adaptation of one of Dick's novels.
Pauline:
No. I didn't even know you knew he was up here.
Malcolm: [while drawing with Claude and Ingrid]
Is he even a good writer? Why do people care about him?
Pauline: [[Bono]
You're competitive with everyone. It doesn't even matter if they do the same thing as you. He's competitive with ].
Malcolm: [continues drawing a picture of a man and woman having sex]
It's true. I don't subscribe to the credo that there's enough room for everyone to be successful. I think there are only a few spots available, and people like Dick Koosman and Bono are taking them up.
Margot:
Malcolm, what would ever make you think that's something to draw right now?
Malcolm: [looks around at what Claude and Ingrid are drawing; crumples up his paper]
Sorry. I wasn't thinking about it. Sorry Margot.
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Margot at the Wedding - Family Memories and Uncomfortable Truths
Pauline:
I was dating that guy Horace back then. Do you remember him?
Margot:
Was that the guy who liked to rough you up?
Pauline:
No, that was our dad.
Margot:
Our dad used to strip down to his skivvies and beat us with a belt.
Malcolm:
That man had a sexual screw loose.
Pauline:
That's awful, that stuff that happens to kids. Malcolm was fondled by a male babysitter.
Malcolm:
Just use that information however you want.
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Margot at the Wedding - Emotional Turmoil and Herbal Remedies
Malcolm:
I have the emotional version of whatever bad feng shui would be I don't know. You tell me. You understand this shit.
Pauline:
Did you drink your teas?
Malcolm:
Yeah, I drank my fucking teas.
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Margot at the Wedding - Transitioning Talents: A New Path Unfolds
Margot:
I thought he was a musician.
Pauline:
Well, music's officially a hobby. He's painting now, and writing letters to newspapers and magazines. He's very meticulous. He'll spend up to a week writing a response to a music review. He's incredibly smart. Maybe too smart, I don't know. We're doing very well.
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Margot at the Wedding - Reflections on Family and Relationships
Pauline:
What was it about Dad that had us fucking so many guys?
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Rush - The Complexity of Choosing Sides
Jim Raynor:
Feels like a long ride to nowhere, doesn't it?
Kristen Cates:
You know, after I finished with the grand jury, they applauded me. It made me feel sick. I feel sick.
Jim Raynor:
You pick a side. Because you have to. And it's supposed to be the right one. Difference being, our intentions were good. But...
Kristen Cates:
Difference is there isn't any difference.
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Rush - Fear of Exposure in Court Proceedings
Kristen Cates:
You know what scares me? The thought of all those people getting up in court, telling what we did.
Jim Raynor:
Nobody believes them, except other dealers and other cops. That's what makes the whole thing work. You never admit to anything. Someone's holding evidence in your face... nothing.
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Rush - Contemplating a Difficult Decision
Walker:
What's going on?
Kristen Cates:
We're doing it this afternoon. Now, what we can do is prearrange your bail, arrest you with everybody else, make it look like you weren't involved.
Walker: [shakes his head]
Nah, I can't do that. That'd make it worse than it already is.
Kristen Cates:
Well, you better get outta town, stay with a relative somewhere.
Walker:
Well, hey I can't do that either. I mean, my relatives, they all live here, in Catterley. There ain't no place to hide.
Kristen Cates:
People know where you live, Walker.
Walker:
Well, I expect they do.
Kristin Cates:
Well, we can set you up in Houston. I can talk to Dodd.
Walker: [shakes head]
I got friends who're gonna do 40 years - that's what Jim said, right? 40 years for selling somebody dime bags that I asked them to sell. Y'all just want me to run off now and hide. No.
Kristin Cates:
You gonna make me arrest you, Walker?
Walker: [laughs]
Look, Kristin. Everything I've done for the past three months was cause I was scared of somethin else. And now there ain't nothing else I'm scared of - it's right here. I'm fuckin ashamed. You understand that?
Kristin Cates:
Yeah. I understand that.
Walker:
Well, you ain't got nothing to scare me anymore.
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Rush - Questioning the Evidence Against Will Gaines
Kristen Cates:
What'd you say if we told you Gaines isn't dealin drugs?
Nettle:
I'd say, "When are you gonna make the case?
Kristen Cates:
Will Gaines isn't dealin drugs. At least not to us. We've tried to get next to the man for five months. He won't come across with anything. Nothin'. He won't even talk about it.
Nettle: [unperturbed]
Now, Will Gaines is a dealer in drugs and pornography, and that is a fact. Make the case.
Kristen Cates:
Are you tellin us to plant evidence?
Nettle: [glances at Dodd, then back to Kristen]
I'm tellin you that sometimes good work is accomplished in mysterious ways.
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Rush - The Effects of Dirt on Highs
Kristen Cates: [about Willie Red]
Did you smell him?
Jim Raynor:
Yeah, they don't take many baths. It's a better high if they're dirty.
Kristin Cates:
Really?
Jim Raynor:
Yeah. It doesn't leak through the skin.
Kristin Cates:
So what happens now?
Jim Raynor:
We go back to sleep.
Kristin Cates:
No, I mean to him.
Jim Raynor:
He's already asleep. He's just like anybody else. We don't touch any of them until we get them all. How bad did that scare you last night?
Kristin Cates:
Some. But I didn't mind. And I liked it.
Jim Raynor:
What did you like?
Kristin Cates:
I liked being there with you. And I liked being scared. I liked knowing he was going away for it.
Jim Raynor:
Don't like it too much.
Kristin Cates:
D'you like it too much, Jim?
Jim Raynor:
Yeah, I like it too much.
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Rush - A Conversation About Quality and Choices
Jim Raynor: [after taking a hit]
That's some nice shit, man.
Willie Red: [to Kristen]
And you know that. Willie Red gets the best. Only the best. Kinda make you feel like floatin on a cloud of titties. So what about you, sister? You wanna taste?
Kristen Cates:
No.
Willie Red:
No?
Jim Raynor:
No, she don't fix. The lady, she don't fix.
Willie Red: [pause]
Oh, man. She be missin out on the good things in life. I think she fix. I think she fix, else you don't walk outta here.
Kristen Cates:
Walker told us everything was cool with you, man. He said "Just come on by, everything's fine.
Willie Red:
Damn straight. Walker cool as the other side of my pillow, honey. But you ain't showed me shit. What the fuck you come down here for? You don't wanna get down, tell me that.
Willie Red:
There you go, baby. Ain't nothin to it but to do it. Yes, Lord. Pretty soon you'll be feelin all unnecessary.
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Rush - Strength in Overcoming Addiction
Jim Raynor:
Listen, I know this is a little hairy.
Kristen Cates:
I'm not scared.
Jim Raynor:
It happens. All this shit about addiction is a matter of how strong you are. I've seen agents brought up for air. They've been doin it steady five, six months, plenty strung out. Gotta get strong. You kick the bed covers a week or two, you run a little temperature. You get up on your feet, stand and walk. Cops? That's how it's done. A fuckin dealer won't split down with nobody till he knows he's cool. Business. That's the way it is.
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Rush - Consequences of Partnership in Dangerous Situations
Jim Raynor:
You wanna try to light that up?
Jim Raynor:
You do that on the street, I guarantee you're fucked. You're fucked. And I'm fucked with you, cause we're partners.
Kristen Cates:
It's simulation.
Jim Raynor:
Simulation's something you say in court. Outside the court we're here to buy dope. You go in thinkin these people are stupid, it'll get you hurt, and me hurt with you. That's what happens when the shit comes down. One of us is fucked, we both are. And that's what this is about. You and me. Cause people find out what we do, I mean either side, the DA or the dealers, it's over. Over. All we got is each other.
Kristen Cates:
All right.
Quotes sourced from Wikiquote (© Wikiquote contributors), licensed under CC BY-SA 4.0. Modified for formatting/length.
Rush - Casual Conversation About Hair Care
Jim Raynor:
Gotta do something about your hair.
Kristen Cates:
What?
Jim Raynor:
Quit washin it. There are some things we gotta talk over.
Kristen Cates:
Okay.
Jim Raynor:
We buy drugs. Larry Dodd gives us the money. And he's the only one we ever talk to in the whole department. To everybody else, we're junkies. What that means is if we get into something, we ain't gonna call in no "Officer assist" to get out. Our "Officer assist" is each other. So, what I'm saying is when you come into this it can't be halfway.
Kristen Cates:
I didn't think it was.
Jim Raynor:
You know what you're doin'?
Kristen Cates:
Yeah.
Jim Raynor:
Gotta be able to lie better than that.
Kristen Cates:
I can do what it takes.
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Rush - Struggles with Self-Esteem and Life Choices
Jim Raynor:
It's a long haul, and you hate yourself most of the way.
Kristen Cates:
Is that how you live?
Jim Raynor:
No. It's simpler than that for me. But then I got low self-esteem.
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Rush - Origins and Motivations in a Changing Landscape
Jim Raynor: [about the heater]
Broke in Montana. I kept meaning to get it fixed, then I came down here, where it's warm, and I lost my motivation.
Kristen Cates:
Is that where you're from, Montana?
Jim Raynor:
The eastern part. The Big Empty. And now, I'm from Caddo Lake, Texas.
Kristen Cates:
Were you a narc up there too?
Jim Raynor:
Ruins you for everything else.
Jim Raynor:
That's probably not a joke.
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Rush - Understanding Consequences of Choices
Larry Dodd:
You don't have to do this, you know.
Kristen Cates:
I know.
Larry Dodd:
It isn't going to be the way you think it is. It gets ugly.
Kristen Cates:
Yes sir, I know.
Larry Dodd: [pause]
No, you don't know. You get ugly with it. What d'you ever wanna do this for, anyway?
Kristen Cates:
Seems like a chance to make a difference.
Larry Dodd:
I'll tell you what's gonna be different. You.
Larry Dodd:
Miss Cates, this is Jim Raynor. He was pretty himself once.
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Backdraft - Investigative Integrity Amid Political Tensions
Jennifer Vaitkus:
We believe you're holding back on us, to embarrass the Alderman because of his fire department cutbacks.
Donald:
Alderman, I have an uncomplicated job: To determine if a fire is arson or not, and if so, to catch the son-of-a-bitch doing it. And if my investigative methods happen to muck up the campaign of certain mayor wannabes, I gotta tell ya... I'm not gonna go losing any sleep over it.
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Short Cuts - Different Perspectives on Fish Appreciation
Honey Bush:
Look at these fish, though. Aren't those cool?
Lois Kaiser:
Yeah, you know I don't really give a fuck about fish. They just kinda swim, eat and shit.
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Short Cuts - Unconventional Offer of Affection
Lois Kaiser:
Don't you want me to lick your balls for you?
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Short Cuts - Unexpected Physical Connection
Lois Kaiser: [talking on sex hotline]
Oh! I can feel your balls up against my ass!
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The Hateful Eight - Confrontation and Racial Tension in Dialogue
John The Hangman Ruth:
Major Marquis Warren, this here is Daisy Domergue. Domergue, to you, this is Major Warren.
Daisy Domergue:
Howdy, nigger.
John The Hangman Ruth: [laughing]
She's a pepper, ain't she? Now, girl, don't you know darkies don't like being called niggers no more? They find it offensive.
Daisy Domergue:
I've been called worse.
John The Hangman Ruth:
Now, that I can believe.
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The Hateful Eight - Daisy's Message for John in Hell
Daisy Domergue:
When you get to hell, John, tell them Daisy sent you...
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The Hateful Eight - Controversial Dialogue in The Hateful Eight
Daisy Domergue:
Good one, Warren! Talk that sass, nigger, talk that sass!
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The Hateful Eight - Betrayal and Deception in the Night
Daisy Domergue:
What do I gotta say? About John Ruth's ravings? He's absolutely right. Me and one of them fellas is in cahoots. We're just waitin for everybody to go to sleep. That when we're gonna kill y'all.
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The Hudsucker Proxy - Changing Perceptions of Character Evaluation
Amy Archer:
I used to think you were a swell guy. Well, to be honest, I thought you were an imbecile. But then I figured out you WERE a swell guy... A little slow, maybe, but a swell guy. Well, maybe you're not so slow, But you're not so swell either. And it looks like you're an imbecile after all!
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The Hudsucker Proxy - Unity Through Innovation and Joy
Amy Archer:
Don't you remember how you used to feel about the hoop? You told me you were gonna bring a smile to the hips of everyone in America, regardless of race, creed or color. Finally there'd be a thingumajig that would bring everyone together -- even if it kept em apart, spatially.
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The Hudsucker Proxy - A Mother's Love on Payday
Amy Archer:
Why he has a face only a mother could love... on payday.
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The Hudsucker Proxy - Invitation to Explore New Ideas
Amy Archer:
Well, come on down here, hammerhead, and I'll show it to ya!
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The Hudsucker Proxy - Definition of Imbecile in Five Letters
Amy Archer:
Moron. That's a five-letter word for "imbecile"!
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The Hudsucker Proxy - Confidence in a Pulitzer Prize prediction
Amy Archer:
I'll stake my Pulitzer on it!
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Synecdoche, New York - The Challenge of Forgiveness Before Death
Adult Olive:
I need to forgive you before I die... but I can't forgive someone who has not asked for forgiveness.
Caden Cotard:
I just want...
Adult Olive:
I have no time. I need you to ask for forgiveness.
Caden Cotard:
Can you ever forgive me?
Adult Olive:
For what?
Caden Cotard:
For abandoning you.
Adult Olive:
For abandoning you to have anal sex with my homosexual lover, Eric.
Caden Cotard:
I will, I'll say it... For abandoning you... to have anal sex with my homosexual lover, Eric.
Adult Olive: [Starts crying; Dies]
No... nNo, I'm sorry. I cannot...
Maria:
I hope you are happy, faggot.
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