Highlights
Mortal Kombat II - Martyn Ford and Joe Taslim Exclusive Interviews
Mortal Kombat II
Outer Banks Final Season - Pogues For Life Clip
Outer Banks
The Wrong Girls - Kristen Stewart and Alia Shawkat Interview
The Wrong Girls
The Whisper Man - Adam Scott as Tom Kennedy Character Poster
The Whisper Man
Daredevil: Born Again Season 2 - Find Matt Murdock Clip
Daredevil: Born Again
The Deputy - Duke Nicholson and William H. Macy
The Deputy
Enola Holmes 3 - Exclusive Interview with Millie Bobby Brown
Enola Holmes 3
The Whisper Man - Michelle Monaghan as Amanda Beck Character Poster
The Whisper Man
Toy Story 5 - We Are All Toys Clip
Toy Story 5
The Deputy - Stephen Dorff as Billy Banks
The Deputy
Thrash - Trapped Between Flood and Sharks Clip
Thrash
Heart of the Beast - Brad Pitt as James Belmont with Odin
Heart of the Beast
Remarkably Bright Creatures - Sally Field and Lewis Pullman Exclusive Interviews
Remarkably Bright Creatures
Sterling Point Season 1 - Ella Rubin as Annie Character Poster
Sterling Point

Meg RyanQuotes

Meg Ryan
Birthday
November 19th, 1961
From
Fairfield, Connecticut, USA
Actor

When a Man Loves a Woman - Anticipation of Consequences

Alice Green: I'm waiting for my spanking.

When a Man Loves a Woman - Temporary Ink Expression

Alice Green: It's a press-on tattoo!

When a Man Loves a Woman - Struggling with Hidden Addiction

Alice Green: I drink a quart a day. It's vodka so you couldn't smell it.

When a Man Loves a Woman - Self-Hate and the Hope for Redemption

Alice Green: It's horrifying how much you can hate yourself for being low and weak and he couldn't save me from that. So I turned it on him; I tried to empty it onto him. But there was always more, you know. When he tried to help, I told him that he made me feel small and worthless. But nobody makes us feel that, we do that for ourselves. I shut him out because I knew if he ever really saw who I was inside, that he wouldn't love me. And we're separated now, he's moved away, and it was so hard not to beg him to stay. And I don't know if I'm going to get a second chance, but I have to believe. That I deserve one. Because we all do.

When a Man Loves a Woman - Comment on a Disappointing Outfit

Alice Green: That is a sad little ensemble!

When a Man Loves a Woman - Struggling with Unresolved Pain and Frustration

Alice Green: Fuck that! Fuck making it better. It's not getting better! I don't know how to make it better and I swear to God you don't either!

When a Man Loves a Woman - The Possibility of Renewed Love

Alice Green: I think I could love you again if you could, for once, say "I don't know.

When a Man Loves a Woman - The Reality of Togetherness and Loneliness

Alice Green: No Michael, we're supposed to try to be real. And when you feel alone, you are not together, and that is real.

You've Got Mail - Yearning for Connection and Destiny

Kathleen Kelly: [to Joe Fox] I wanted it to be you. I wanted it to be you so badly.

You've Got Mail - Struggling with the decision to move on

Kathleen Kelly: [to Christina] It will be really easy to stop seeing him, because .... I'm not.

You've Got Mail - A Butterfly's Journey Through the Subway

Kathleen Kelly: [to Joe Fox (NY152) in email] Once I read a story about a butterfly in the subway, and today I saw one. I couldn't believe it. It got on at 42nd -- and got off at 59th, where I assume it was going to Bloomingdale's to buy a hat that will turn out to be a mistake. As almost all hats are.

You've Got Mail - Reflections on Life and Courage

Kathleen Kelly: [to Joe Fox (NY152) in email] Sometimes I wonder about my life. I lead a small life. Well, valuable, but small. And sometimes I wonder, do I do it because I like it, or because I haven't been brave? So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around? I don’t really want an answer. I just want to send this cosmic question out into the void. So goodnight, dear void.

You've Got Mail - The Meaning of Nothing in Communication

Kathleen Kelly: [to Joe Fox (NY152) in email] The odd thing about this form of communication is that you're more likely to talk about nothing than something. But I just want to say that all this nothing has meant more to me than so many somethings.

You've Got Mail - Critique of Modern Name Trends

Kathleen Kelly: [to Joe Fox] Joe. Just call me Joe. As if you were one of those stupid 22-year-old girls with no last name. Hi, I'm Kimberley. Hi, I'm Janice. Don't they know you're supposed to have a last name? It's like they're an entire generation of cocktail waitresses.

You've Got Mail - Suspicion and Humor in Everyday Life

Kathleen Kelly: [to Joe Fox] You were spying on me, weren't you? You probably rented those children.

You've Got Mail - The Impact of Childhood Reading on Identity

Kathleen Kelly: [to Joe Fox, after first meeting him in "The Shop Around the Corner"] I started helping my mother after school here when I was six years old. And I used to watch her. And it wasn't that she was just selling books, it was that she was helping people become whoever it was (that) they were going to turn out to be. Because when you read a book as a child it becomes part of your identity in a way that no other reading in your whole life does...

City of Angels - The Complexity of Fate and Love

Maggie Rice: I don't understand a God who would let us meet, if there's no way we could ever be together.

City of Angels - Reflecting on Cherished Relationships

Maggie Rice: [to Seth] When they ask me what I liked best, I'll tell them, it was you.

City of Angels - Contemplating the Nature of Our Fight

Maggie Rice: We fight for people’s lives, right? Do you ever wonder who it is we're fighting with?

City of Angels - Request for Contact Information

Maggie Rice: No dying yet, Mr. Messinger. Not until you give me Seth's phone number.

City of Angels - Awakening to a Greater Existence

Maggie Rice: Something happened in that room. I got this jolt that... something bigger is out there. Something bigger than me, bigger than you. Does that sound crazy?

Prelude to a Kiss - Life with You is a Mixed Journey

Rita Boyle: Life's a busman's holiday with you!

Sleepless in Seattle - The Illusion of Movie Love

Annie Reed: [about An Affair to Remember] Now that was when people KNEW how to be in love. They knew it! Time, distance... nothing could separate them because they knew. It was right. It was real. It was...
Becky: A movie! That's your problem! You don't want to be in love. You want to be in love in a movie.

Sleepless in Seattle - A Moment of Connection on the Pier

Barbara: I was in Atlantic City with my family. Cliff was a waiter. He wasn't even supposed to work that night, and suppose he hadn't? He asked me to take a midnight walk on the Steel Pier. I've probably told you this a million times, but I don't care. And then he held my hand. At one point I looked down and I couldn't tell which fingers were his and which were mine. And I knew.
Annie Reed: What?
Barbara: You know.
Annie Reed: What?
Barbara: Magic. It was magic.
Annie Reed: Magic.
Barbara: I knew we would be together forever, and that everything would be wonderful, just the way you feel about Walter. Walter. It's quite a formal name, isn't it?

Sleepless in Seattle - The Nature of Destiny and Accident

Annie Reed: Destiny is something we've invented because we can't stand the fact that everything that happens is accidental.

The Doors - Concerns Over Jim's Disorganization and Handwriting

Pamela Courson: What am I gonna do about these papers? Jim, Jim—you really need to organize this stuff! You handwriting's just like a little kid! My God look at this. I wonder if William Blake was ever this disorganized.

The Doors - Identity Beyond Fame

Pamela Courson: You're a poet, not a rock star.

The Doors - A Plea for Connection and Togetherness

Pamela Courson: Jim, don't go away! Come dance with me!

The Doors - A Moment of Patience and Presence

Pamela Courson: Take your time, Jim... There's no hurry, I'm all you have to do tonight.