In The Lost Lands - Dave Bautista Exclusive Interview
In the Lost Lands
Murderbot - Now Streaming Clip
Murderbot
Elio - Freeze Frame Clip
Elio
One Battle After Another - Sean Penn Character Poster
One Battle After Another
The Roses - Vows Clip
The Roses
One Battle After Another - Benicio del Toro Character Poster
One Battle After Another
A Minecraft Movie - Danielle Brooks Exclusive Interview
A Minecraft Movie
The Savant Season 1 - First Look at Jessica Chastain and Nnamdi Asomugha
The Savant
Wednesday Season 2 - Teaser Trailer
Wednesday
Traumatika - Official Teaser Poster
Traumatika
Lilo & Stitch - Frog's POV Clip
Lilo & Stitch
The Savant Season 1 -  First Look at Jessica Chastain
The Savant
The Toxic Avenger - Moviefone Line
The Toxic Avenger
Gen V Season 2 - Jaz Sinclair Character Poster
Gen V
Words of War - Sean Penn Exclusive Interview
Words of War
She Rides Shotgun - Taron Egerton and Ana Sophia Heger at NY Premiere
She Rides Shotgun
Audience Score
85
13
NR 11 min
Embed MovieCopiedi
A small twinkling dot slowly glides across the black screen. It is followed by another, and then a third. We seem at first to be watching an abstract piece of video art, but there is more to the Japanese film 13 than meets the eye. Filmmaker Shinya Isobe left his camera in exactly the same spot for five years to shoot a picture of the sunset every thirteen seconds. In a series of merged time-lapses, we see the sun moving serenely from left to right. Over and over again. First in a neat line, in total silence. Later patterns appear, supported by a minimalist soundtrack. No digital trickery was used to create the hypnotic images that pass by. Isobe overlaid analogue shots from different seasons to produce clusters of shining spots. See it as an amalgamation of time, a contemplation of humanity versus the cosmos—it’s up to you to create your own associations. (Source: IDFA 2020)
DirectorShinya Isobe