Gotán

o Jorge Cedrón this was an act of wistful and political affirmation He could not explain why he made it but stated It necessary to make it The outcome never screened publicly in Argentina is of a joyous creative freedom a musical collage here the history of tango and its roots get interwoven with Argentine political history A Buenos Aires street reconstructed in Ariane Mnouchkine s theatre a European old man who can play the tunes the bandoneón was made for but who does not know the tango a friends gathering at Antonio Seguís studio the music of Cuarteto Cedrón hobbyhorses and a disconcerted Indian are some of the many elements combined by the filmmaker in this singular unique work