How I Fell in Love with Eva Ras

In Sarajevo in a cinemas projection booth lives Sena a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies Through a combination of silence the everyday gestures of this woman and the films that are projected from her living room comes a film built like a day in Senas life Through the films that Sena projects we are taken on a journey in both collective and personal memory The film offers a portrait of intimacy crossed with a history witnessed by cinema a history which Sena has conserved