Highlights
Disclosure Day - Exclusive Interview
Disclosure Day
Euphoria Season 3 - Saddle Up Clip
Euphoria
The Devil Wears Prada 2 - Runway Fallout Clip
The Devil Wears Prada 2
Onslaught - Dan Stevens as Hans Kammler Character Poster
Onslaught
The Wrong Girls - Kristen Stewart and Alia Shawkat Interview
The Wrong Girls
Paper Tiger - Miles Teller as Irwin Pearl
Paper Tiger
Mortal Kombat II - Martyn Ford and Joe Taslim Exclusive Interviews
Mortal Kombat II
Unabomber - First Look at Russell Crowe and Jacob Tremblay
Unabomber
The Odyssey - Christopher Nolan Exclusive Interview
The Odyssey
The Deputy - William H. Macy as Sheriff Krueger
The Deputy
Lucky Season 1 - They Mastered Armed Robbery Clip
Lucky
Beware Boiúna - Official Poster
Beware Boiúna
Mortal Kombat II - Exclusive Interviews
Mortal Kombat II
The Deputy - Official Poster
The Deputy
Love Meetings

Love Meetings - Where to Watch

Audience Score
82

Ready to watch 'Love Meetings' on your favorite screen? Below, you’ll find ways to watch including rental, purchase, and subscription options, all in one place. As of now in the US, 'Love Meetings' is available on Criterion Channel to rent, buy, or stream with a subscription.

Here are a few key highlights to round things out about the Arco Film documentary flick. Love Meetings starring Pier Paolo Pasolini, Lello Bersani, Alberto Moravia, Cesare Musatti has a Not Rated rating, a runtime of about 1 hr 28 min. The movie received a user score of 82/100 on TMDb, which is derived from reviews from 295 verified users.

Curious about the story behind it? Here's the plot: "Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust."