Thunderbolts* - Official Behind the Scenes Clip
Thunderbolts*
The Devil Wears Prada 2 - Title Announcement
The Devil Wears Prada 2
Stick Season 1 - Pool Party Prep Clip
Stick
Stick Season 1 - Owen Wilson at Dinner
Stick
Shadow Force - Kerry Washington Exclusive Interview
Shadow Force
Half Man Season 1 - First Look at Richard Gadd and Jamie Bell
Half Man
Black Bag - Cate Blanchett Exclusive Interview
Black Bag
One Battle After Another - Official Cast Poster 1
One Battle After Another
Murderbot Season 1 - Teaser Clip
Murderbot
Jay Kelly - Adam Sandler Character Poster
Jay Kelly
Elio - Gift Bag Beam Me Write Up Clip
Elio
HIM - Tyriq Withers Character Poster
HIM
In The Lost Lands - Dave Bautista Exclusive Interview
In the Lost Lands
Half Man Season 1 - First Look at Richard Gadd as Ruben
Half Man
Cleaner - Daisy Ridley Exclusive Interview
Cleaner
Emily in Paris Season 5 - First Look at Lily Collins as Emily
Emily in Paris
Tokyo Trash Baby

Tokyo Trash Baby Full Cast & Crew

Movie

Cast

M
Mami Nakamura
as Miyuki
K
Kazuma Suzuki
as Yoshinori
K
Ko Shibasaki
as Kyoko
T
Tomorowo Taguchi
S
Sayuri Oyamada
M
Masahiro Toda

Crew

R
Ryuichi Hiroki
Director
M
Michiko Nagae
Makeup Artist
H
Hisano Ogura
Costume Design
K
Kazuyuki Tsuchiya
Sound
C
China Hayashi
Production Design
W
Wyolica
Theme Song Performance
R
Ryuichi Hiroki
Editor
S
Shôtarô Oikawa
Screenplay
Y
Yasuhiko Higashi
Producer
A
Akira Saitô
Executive Producer
M
Midori Okamura
Original Music Composer
S
Susumu Nakajima
Producer
H
Hisanori Endô
Executive Producer
R
Reiko Arakawa
Producer
M
Masahide Iioka
Director of Photography
K
Kazuhiro Suzuki
Director of Photography
Y
Yoshihiro Suzuki
Production Manager

Love Cinema

Love Cinema (ラブシネマ) is a series of Japanese films by CineRocket, it consists of six straight-to-video releases by independent filmmakers via a brief but exclusive run at the minuscule Shimokitazawa cinema in Tokyo. The six films were conceived as low budget exercises to explore the benefits afforded by the low-cost Digital Video medium such as the increased mobility of film and the low-lighting conditions available to the filmmakers. All six volum