Art House (2016)

The film reveals the inventiveness derived from the dialogue between each artists practice and the construction of their handmade homes The results range from the romantic Hudson River School painter Frederic Churchs Olana framing views of the Catskills to echo his paintings to the futuristic Urbanist Paolo Soleris siltcasted structure Cosanti growing out of experiments in bell making in the Arizona desert Commentary from cultural critic Alastair Gordon and an original score by Jamie Rudolph help to evoke the spiritual dimension of the locations and argue the case that the intuitive vision of artists can create great architecture