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Viewer Score

100
Viewer score based on 5 votes.

Critic Score

69
Critics' score based on 43 reviews.
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Your Reviews

There's a new movie on the way about Bill's death- the real Bill, that is. David Carradine was found dead in a Thai hotel a year ago, and now his... wife has written a book about his untimely demise. I'm sure the book will talk about he autoerotic asphyxiation claims. KIll Bill Vol. 1 was definitely Carradine's and Tarantino's best films. I think Vol. 1 was much better than the sequel. The action was much more intense. Full Review

April 30,2010
fishermike90

this was a excellent movie so as Uma Thurman I loved it!!!!!!! this movie was just wonderful I loved everything about this film just GREAT!

September 27,2009
Rean Rossier

This was an excellent movie that I know will have a good sequel. Quentin Tarantino has really out done it in another ultimate action movie. Anyone... o loves action movies should see this immediately. Full Review

September 12,2008
Brendude13
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Critic Reviews

Kill Bill: Volume 1 shows Quentin Tarantino so effortlessly and brilliantly in command of his technique that he reminds me of a virtuoso violinist racing through "Flight of the Bumble Bee" -- or maybe an accordion prodigy setting a speed record for "Lady of Spain."Full Review

Roger Ebert
Chicago Sun-Times

The worst thing about the first Quentin Tarantino picture in five years is that after 93 minutes of some of the most luscious violence and spellbinding storytelling you're likely to see this year, Kill Bill ends. Full Review

Wesley Morris
Boston Globe

Delivered with such high panache and brio, it's mesmerizing.Full Review

Stephen Hunter
Washington Post

The film may be bloody, but it's also bloody gorgeous: a grandly fetishized epic of cinematic aggression. It's a tale of vengeance that hinges on Tarantino's love of ferocity as spectacle -- his immersion in action and exploitation, his addiction to the jazzy catharsis of junk-film kicks.Full Review

Owen Gleiberman
Entertainment Weekly

Reconfirms Tarantino's status as the master of pop cinema and puts a sense of excitement into the year. He has matched, if not eclipsed, the power and scope of 1994's "Pulp Fiction," though not its human charm.Full Review

Desson Thomson
Washington Post
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