Although there are several stretches in the movie in which Seidl seems to be repeating himself, the director is carefully building toward a knock-out final scene in which the inscrutable, often annoying Anna becomes beautifully, poignantly human in front of our eyes, like magic. show more
Crazy, violent and shocking events go down in Paradise: Faith — events that will startle the devout and non-believers alike — but Austrian director Ulrich Seidl depicts them all with same sort of monotone detachment he uses in the film's more mundane moments. show more
Now, here’s the trilogy’s second installment, in which the jolly Austrian makes it clear that women of a certain age do not have his permission to overdo it with religion, either. show more
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