The Fan (1996)

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Critic Reviews

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

There's no denying that Scott is a wizard of the narcotic-flash school. In The Fan, he uses his chromium-edged technique to evoke a dread-saturated consumerist America in which the most beloved institutions have grown mercenary and hard.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Tony Scott's vigorous direction is sometimes too vigorous. Loud rock music underscores many scenes, and Scott's habit of shooting at odd angles begins to seem like a mannerism. But on the whole his ambitious attack helps make The Fan entertaining in the moment, even if it's forgettable immediately afterward.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

The Fan isn't a strikeout, but it doesn't exactly knock the cover off the ball, either. It's more like a soft pop fly, taking its time before settling very predictably into a waiting fielder's glove. [16 Aug 1996, p.D3]Read the full review

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All Critics Reviews The Fan (1996)

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